Frenchie Fontaine sells her successful business in New Orleans to come West. Her reason? Find the men who killed her father, Frank Dawson. But she only knows one of the two who did and she's determined to find out the other.

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Cast

Complete credited cast:
...
Sheriff Tom Banning
...
Frenchie Fontaine
Paul Kelly ...
Pete Lambert
...
Countess
...
Diane Gorman
...
Lance Cole
John Emery ...
Clyde Gorman
George Cleveland ...
Mayor Jefferson Harding
...
Carter
Paul E. Burns ...
Rednose
...
Jim Dobbs
Vincent Renno ...
Tony
Lawrence Dobkin ...
Bartender (as Larry Dobkin)
Lucille Barkley ...
Dealer
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Storyline

Frenchie Fontaine sells her successful business in New Orleans to come West. Her reason? Find the men who killed her father, Frank Dawson. But she only knows one of the two who did and she's determined to find out the other.

Plot Summary | Add Synopsis

Genres:

Romance | Western

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

20 April 1951 (Australia)  »

Also Known As:

Anjo de Vingança  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Quotes

Frenchie Fontaine Dawson: Don't worry about me sheriff, anything I can get on I can get off.
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User Reviews

 
Self-consciously cute and winking, but still fun...
22 September 2010 | by (las vegas, nv) – See all my reviews

Light western has New Orleans saloon queen Shelley Winters returning to her rustic hometown of Bottleneck to find the varmints who killed her father 15 years earlier--trouble is, she doesn't know who they are, and so opens a new saloon as a cover while she solves the mystery. Friendly enough, yet awfully silly second-feature with a plot that doesn't quite hang together. Still, Winters (with a devil in her eyes) fires off some fresh lines while utilizing her feminine wiles to charm the pants off the male residents. Joel McCrea is a bit sleepy as the story-tellin', wood-whittlin' sheriff, but the supporting cast is solid, particularly Elsa Lanchester as gal-pal the Countess. The Technicolor photography is bright and handsome, but the production (a jumbled mix of studio sets and location shots) is visually insecure. Nothing at all to take seriously, but enjoyable while it lasts. **1/2 from ****


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