An alien being with the power of invisibility lands in Santa Monica. Killing two people who attacked him due to the menacing appearance of his spacesuit, the creature takes it off while ... See full summary »
American botanical expedition in the Himalayas stumbles across a Yeti den, capture one and transport it back to Los Angeles, where it escapes while customs officials are debating whether it is animal or human.
An alien agent from the distant planet Davana is sent to earth via a high-tech matter transporter. There he terrorizes Southern California in an attempt to acquire blood for his dying race, the result of a devastating nuclear war.
The CIA sends playboy Mike Trent to Alaska with agent Vee Langley, posing as his "nurse," to investigate flying saucer sightings. At first, installed in a hunting lodge, the two play in the wilderness. But then they sight a saucer. Investigating, our heroes clash with an inept gang of Soviet spies, also after the saucer secret. Written by
Rod Crawford <firstname.lastname@example.org>
Shot in Aug. and Sept. 1949, just as the telegrams say
I can't really add much more to what's already been said about this Alaska travelogue, but I will offer some praise to the unknown actress Pat Garrison, who plays the phony nurse Vee Langley. There is one sequence in which she goes swimming in a one-piece bathing suit, displaying an admittedly fine figure (she gets my choice for Anatomy Award Winner). There are some notable actors involved, all of them totally wasted (especially Denver Pyle and Earle Lyon), but veteran Frank Darien (Uncle John in "The Grapes of Wrath") has a better than usual role. Mikel Conrad is a total failure as a dramatic director, the action scenes are ineptly staged in what seems to come across as slow motion, and his own failings as an actor are maximized. He plays a two-fisted drinker who smokes constantly throughout the film (have to ward off boredom somehow), and the success of his secret mission (and the leading lady falling in love with him) boggles the mind; upon meeting the suspicious Russian caretaker for the first time, he blithely inquires as to whether or not he's noticed any Russian spies in the area! "The Flying Saucer" (1949) remains nothing more than a publicity stunt and vanity film for director-producer-star Mikel Conrad, notable chiefly as an historical footnote (being the first saucer movie), but effective only as a showcase for the Alaskan wilderness (I wonder if Sarah Palin ever saw this?)
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