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The Flame and the Arrow (1950)

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Reviews: 25 user | 9 critic

Dardo, a Robin Hood-like figure, and his loyal followers use a Roman ruin in Medieval Lombardy as their headquarters as they conduct an insurgency against their Hessian conquerors.

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Edit

Cast

Complete credited cast:
...
Dardo Bartoli
...
Anne de Hesse
Robert Douglas ...
Marchese Alessandro de Granazia
Aline MacMahon ...
Nonna Bartoli
Frank Allenby ...
Count 'The Hawk' Ulrich
Nick Cravat ...
Piccolo
Lynn Baggett ...
Francesca (as Lynne Baggett)
Gordon Gebert ...
Rudi Bartoli, Dardo's Son
...
Apollo, the Troubador
Victor Kilian ...
Apothecary Mazzoni
Francis Pierlot ...
Papa Pietro
Robin Hughes ...
Skinner
Edit

Storyline

Twelfth-century Lombardy lies under the iron heel of German overlord Count Ulrich 'The Hawk', but in the mountains, guerillas yet resist. Five years before our story, Ulrich stole away the pretty wife of young archer Dardo who, cynical rather than embittered, still has little interest in joining the rebels. But this changes when his son, too, is taken from him. The rest is lighthearted swashbuckling, plus romantic interludes with lovely hostage Anne. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Plot Keywords:

rebel | rescue | niece | battle | lombardy | See All (45) »

Genres:

Adventure | Romance

Certificate:

Approved | See all certifications »
Edit

Details

Country:

Language:

Release Date:

9 July 1950 (USA)  »

Also Known As:

The Hawk and the Arrow  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Nick Cravat, who plays Piccolo, was an acrobat who was teamed with Burt Lancaster before Lancaster became a star. He appears in many of Lancaster's movies. In this one, and in The Crimson Pirate (1952), he plays a mute. The reason was that his thick Brooklyn accent, which he could not lose, would have been wildly out of place in such period pieces. See more »

Goofs

When Piccolo is fighting the guardsman in the balcony he flips his sword around and holds the blade with his hand (showing it cannot be sharp) and then whacks the guardsman with the broad side of the blade near the hilt, bending it at least 20-25 degrees. See more »

Quotes

Dardo Bartoli: A man who knows what he's dying for... only seems to die.
See more »

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User Reviews

Enjoyable swashbuckling
28 February 1999 | by (Mountain View, Ca.) – See all my reviews



One of the more enjoyable swinging-from-the-chandelier-with-a- -sword adventures made a la Erroll Flynn. A lively pace, loads of action, a witty-if-fluffy script, an enchanting score, good performances, and above all an incredible number of acrobatic stunts make this utterly enjoyable. Lancaster had been a circus acrobat before he got into films, and managed to work every stunt he could do into the script. He even balances and poses on the top of a 20-foot pole, for real. I'm still amazed that a guy that big could be so good.

(This film also had an ongoing effect on Hollywood: At the time Lancaster's career was fading, he was typecast as a big dumb lug in the kind of Film Noir that was rapidly going out of fashion. He realized that he had to do something, and rather than rely on the studios he bought this script and produced it himself. And gave himself a whole new career, an example not lost on other actors. This was one of the films that marked the beginning of the end of the paternalistic studio system, one that showed actors that they could control their own careers. For good or ill.)


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