In this sequel to Father of the Bride (1950), newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father having to come to grips with the fact that he will soon be a granddad.
Against all odds Father Flanagan starts "Boys' Town" after hearing a convict's story. Whitey Marsh comes there. He runs away but, hungry, returns. He runs away again but, when friend Pee ... See full summary »
Proud father Stanley Banks remembers the day his daughter, Kay, got married. Starting when she announces her engagement through to the wedding itself, we learn of all the surprises and disasters along the way. Written by
Col Needham <firstname.lastname@example.org>
In the film, one of the gifts Kay gets as a present is a Venus de Milo statue with a clock in the stomach, which Spencer Tracy refers to as a "stinker". This same gift makes its' way into the 1991 re-make among the presents, and is still not received well. See more »
When Stanley hangs up the phone at the end and turns to Ellie, his jacket has a spattering of small items on the back. Later, when he dances with her, there is nothing on the back of his jacket. See more »
Stanley! You don't have to shout! Nobody's deaf! It's mortifying with
[indicates Delilah in the kitchen]
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My favourite performance of Spencer Tracy's from all the work he did in thirty-seven years in the movies - here he plays harassed father Stanley Banks struggling to cope with the comedy of his daughter Kay's wedding. Kay is played by the young and beautiful Elizabeth Taylor, who had just been married for the first time in real life; and her intended is played by Don Taylor, an actor I haven't seen in anything else, and can't really remember doing anything of interest in this. The family is completed by Joan Bennett as Tracy's wife, and Rusty (later Russ) Tamblyn as their youngest child.
Although the movie does play up the comic potential of the wedding situation
the dad dreams of losing his trousers as he walks down the aisle, for
example - it also has moments of poignancy, especially in the last few sequences where the parents dance together in the post-party mess of their once-pristine house. This kind of thing puts the movie above the ordinary, and is exactly what was missing in the Steve Martin remake years later.
And don't let me forget Billie Burke and Moroni Olsen as the groom's parents
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