In this sequel to Father of the Bride (1950), newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father having to come to grips with the fact that he will soon be a granddad.
Against all odds Father Flanagan starts "Boys' Town" after hearing a convict's story. Whitey Marsh comes there. He runs away but, hungry, returns. He runs away again but, when friend Pee ... See full summary »
Proud father Stanley Banks remembers the day his daughter, Kay, got married. Starting when she announces her engagement through to the wedding itself, we learn of all the surprises and disasters along the way. Written by
Col Needham <email@example.com>
At the party to announce the engagement, Stanley is fixing drinks, and opens two Cokes which spray all over him. In both cases, but especially when he opens the second coke, it is obvious that the spray is coming from the wall cabinet, not from the coke bottle. See more »
In one of her most natural performances, Liz is a cheerful light, buoyant in movement
"Father of the Bride" is a mainly delightful family comedy which benefits from a strong central performance...
One night at dinner, daughter Kay casually announces her engagement... Father and mother react on cue...
Following practically all the events of Edward Streeter's charming novel, the Oscar-Nominated screenplay is a series of comic and warm set pieces: the loving father asks his daughter to invite his future son-in-law for dinner; girl's parents meet boy's parents; prospective bride quarrels with prospective groom... The vignettes are applied with the light Minnelli touch at its most charming, and they are acted with captivating nonchalance by the incomparable Spencer Tracy in the title role and by the beautiful performances of Joan Bennett, Liz Taylor, and Don Taylor
As the complaining middle class father, thoughtful to his daughter's welfare and watchful as to the distributing of his money, Tracy is incredibly amusing... Torn by jealousy, Tracy is all good-natured father exhausted by the complete weight of the problems leading up to the happy day...
But it's an ensemble show, and as the typical spoiled daughter of a typical mid-American bourgeois, Elizabeth has one of her joyful screen moments, altering and urging her beloved ones with such gentle, persuasive, winning, and gracious manners
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