In this sequel to Father of the Bride (1950), newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father having to come to grips with the fact that he will soon be a granddad.
Against all odds Father Flanagan starts "Boys' Town" after hearing a convict's story. Whitey Marsh comes there. He runs away but, hungry, returns. He runs away again but, when friend Pee ... See full summary »
Proud father Stanley Banks remembers the day his daughter, Kay, got married. Starting when she announces her engagement through to the wedding itself, we learn of all the surprises and disasters along the way. Written by
Col Needham <email@example.com>
Early in the film when the Banks family are having a meal, the length of the candles on the table change from long, to short and back to long. See more »
Stanley T. Banks:
Who giveth this woman? "This woman." But she's not a woman. She's still a child. And she's leaving us. What's it going to be like to come home and not find her? Not to hear her voice calling "Hi, Pops" as I come in? I suddenly realized what I was doing. I was giving up Kay. Something inside me began to hurt.
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"Father of the Bride" is Spencer Tracy's picture. His performance as the overwhelmed father of the bride is outstanding.
The plot is simple. Stanley Banks'(Tracy) daughter Kay (the beautiful teen-aged Elizabeth Taylor) announces her impending marriage to Buckley Dunstan (Don Taylor). Mother (Joan Bennett) gets into the act and before you know it the bills are mounting and father is going greyer by the minute. There is the usual pre-marriage argument between the two lovers, the ever increasing guest list, a frantic rehearsal and finally the big day itself with father trying to maintain his sanity throughout.
The supporting cast is excellent. Leo G. Carroll is good as the befuddled caterer, Melville Cooper does a funny bit as the church deacon and the still beautiful Billie Burke along with Moroni Olsen appear as the parents of the Groom.
"Father of the Bride" under the able direction of Vincente Minnelli, is the kind of family comedy that we rarely see anymore.
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