In this remake of 1941's "You Belong to Me," a young millionaire, Peter J. Kirk, Jr., fails in all of his attempts to emulate his successful father. He meets and marries Dr. Heln Hunt, who ...
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Barry Sulivan is a cynical gangster who controls the Neptune Beach waterfront. He runs a numbers racket with the local soda shop owner: the police are in his pocket and the local hoods are on his payroll.
The wife of an alcoholic writer must take a job as a taxi driver to make ends meet. A young man she picks up as a fare befriends her, but when her husband is found murdered, the police suspect she and her new "friend" committed the murder.
Political corruption is vividly depicted as a ruthless WWI veteran takes almost complete control of a state with the help of a crooked lawyer. The film is enhanced by John Payne's persuasive performance as "The Boss."
The uptight and dumb small time thief Nick Robey and his partner and only friend Al Molin steal $10,000.00 from a man, but the heist goes wrong. Al Molin is killed by a policeman and Nick ... See full summary »
In this remake of 1941's "You Belong to Me," a young millionaire, Peter J. Kirk, Jr., fails in all of his attempts to emulate his successful father. He meets and marries Dr. Heln Hunt, who refuses to give up her profession, which also makes Peter feel useless, while becoming jealous of the men she meets in her job. Finally, she is about to divorce him, but Peter has a plan that might save their marriage, and enable him to feel like a contributor to society. Written by
Les Adams <email@example.com>
Having been a fan of Larry Parks for over 60 years (I 'discovered' him in "Blondie Goes to College" in 1942!) , I have quite a collection of his films. Recently, I finally acquired "Emergency Wedding" and enjoyed it tremendously. Larry and Barbara Hale were a great team in "Jolson Sings Again" and once more, in this film they are wonderful together. It is a charming, and funny film about a lady doctor and her jealous husband (especially of her male patients) and Larry handles the comedy exceptionally well. Some of Mr. Park's 'post Jolson' films were disappointing, but this movie more than makes up for them. Perhaps it was because Edward Buzzell was always such a good director.
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