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Duchess of Idaho (1950)

6.3
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Ratings: 6.3/10 from 283 users  
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Ellen Hallit is in love with her playboy boss, Douglas Morrison, but is too timid to do anything about it. To help her, her roommate Chris decides to step in, and devises a plan. Chris ... See full summary »

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(original screenplay), (original screenplay), 1 more credit »
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Title: Duchess of Idaho (1950)

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Cast

Complete credited cast:
...
...
Dick Layne
...
Douglas J. Morrison Jr.
Paula Raymond ...
Ellen Hallit
Clinton Sundberg ...
Matson
Connie Haines ...
Peggy Elliot
...
Cyril, the Bellhop
...
Linda Kinston
Tommy Farrell ...
Chuck
Sig Arno ...
M. Le Blanche
Dick Simmons ...
Alec J. Collins
...
...
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Storyline

Ellen Hallit is in love with her playboy boss, Douglas Morrison, but is too timid to do anything about it. To help her, her roommate Chris decides to step in, and devises a plan. Chris follows Morrison on his trip to Sun Valley, Idaho and plays the overattentive female, hoping that he will send for Ellen (who often played his "fiancée" when he had a female he couldn't discourage otherwise.) Complications arise when Chris catches the eye of band leader Dick Layne, and finds herself caught in a triangle between the two men. Written by Anonymous

Plot Summary | Add Synopsis


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

14 July 1950 (USA)  »

Also Known As:

Die Venus verliebt sich  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"Warm Hands, Cold Heart" (music and lyrics by Al Rinker and Floyd Huddleston), sung by Mel Tormé, was deleted from this film, leaving The Velvet Fog tuneless and with only a bit of dialogue. The prerecording can be heard on the Rhino CD, "Mel Tormé in Hollywood." See more »

Crazy Credits

In the opening credits, each actor's name is sung as part of the opening song. See more »

Connections

Featured in American Masters: Lena Horne: In Her Own Voice (1996) See more »

Soundtracks

Of All Things
Written by Al Rinker and Floyd Huddleston
Sung by Connie Haines
See more »

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User Reviews

 
From the 1940s into the '50s
24 November 2007 | by (Southern California) – See all my reviews

DUCHESS OF IDAHO (1950) is one of those lesser-known MGM/Joe Pasternak musicals that bridge the marathon musical spectaculars of the 1940s (BATHING BEAUTY, TWO GIRLS AND A SAILOR) and the more streamlined editions of the 1950s (EASY TO LOVE, Texas CARNIVAL, etc). But as with many of the '40s films DUCHESS is still more concerned with wit, music, and pure style than any kind of cohesive plot line. Musically we're still in the '40s big band mode here, and the songs, by some of MGM's lesser-hyped tunesmiths, are catchy, serviceable, and very 40-ish. (JAILHOUSE ROCK and Presley were still seven years in the future). A highlight is "Let's Choo Choo Choo to Idaho," arranged by Skip Martin, and performed on a train on route to Sun Valley by vivacious band singer Connie Haines, Van Johnson, and an African American quartet called the Jubalaires.

Lena Horne is also on hand with a few numbers, as is Eleanor Powell for one of her last big solo dances on film, and comedian Red Skelton also puts in a guest appearance. A none-singing Mel Torme briefly appears (as a bellhop), and ditto "Gunsmoke's" titian-haired Amanda Blake as one of Lund's rejected girlfriends). In the second female lead Paula Raymond is one of those obscure but promising MGM personalities who, however, never quite made a break through. In DUCHESS she shows glimmers of charm but is seriously handicapped by some of the clunkiest outfits in the usually impeccable MGM wardrobe.

The look of DUCHESS anticipates the peak Technicolor styling of such early 50s MGMs as LOVELY TO LOOK AT, YOUNG BESS, and SCARAMOUCHE. Many of the interiors are keyed to soft beiges and earth tones against which Esther's always-modish outfits (one of which includes slipper socks!) stand out in jolts of brilliance. And of course it wouldn't be an Esther Williams picture without a few aqua numbers though those featured here are some of her most restrained. (A nocturnal ski run with multi-colored torches also provides a trippy visual/musical interlude mid-film).

Someone once said about Esther that "Wet she's a star, but dry she ain't," but on the whole DUCHESS showcases the star's under-rated acting skills and her often-ironic sense of humor. ("You'll see Esther Williams swim and ski and skate and do a dozen thrilling things!" the movie book ads proclaimed). While as noted the plot is not the strongest, the dialogue (by three credited screenwriters) is witty, often sophisticated, and well-delivered by all involved, including deadpan MGM character staple, Clinton Sundberg, who mutters an on-going chorus of grumbling asides as Lund's much put-upon man Friday. DUCHESS OF IDAHO is the cover story for the August, 1950 issue of "Screen Stories" which also includes a full-page ad for the film in the prime MGM spot right next to the contents, indicating that the studio considered this one of their key box-office attractions for the summer.


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