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Dial 1119 (1950)

Passed  -  Film-Noir | Thriller  -  3 November 1950 (USA)
6.7
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Ratings: 6.7/10 from 518 users  
Reviews: 27 user | 9 critic

A former mental patient murders a bus driver, then takes refuge in a bar, where he holds the patrons hostage.

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(story), (story), 1 more credit »
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Title: Dial 1119 (1950)

Dial 1119 (1950) on IMDb 6.7/10

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Cast

Complete credited cast:
...
Virginia Field ...
Freddy
...
Helen
Sam Levene ...
Dr. John D. Faron
...
Earl
Keefe Brasselle ...
Skip
Richard Rober ...
Police Capt. Henry Keiver
James Bell ...
Harrison D. Barnes
...
Chuckles - Bartender
Dick Simmons ...
Television Announcer
Hal Baylor ...
Police Lt. 'Whitey' Tallman (as Hal Fieberling)
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Storyline

A young mentally-ill killer, Gunther Wyckoff, escapes from a mental institution, murder a bus driver and, then, takes six hostages in a bar. The gun in Wyckoff's hand kills without emotion or pity wielded by a man bare of emotion. Begins as a moral question whether an insane killer should or should not be sent to the electric, but goes elsewhere before it ends. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

|

Release Date:

3 November 1950 (USA)  »

Also Known As:

Les Ames nues  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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User Reviews

A Tough, Gritty Noir Slithering Out of MGM
16 June 2003 | by (NY, NY) – See all my reviews

MGM was known for "More stars than there are in Heaven." And therefore few people think of it in terms of film noir.

But some of the very best noir came out of that studio in the 1940s and 1950s -- this being one of the bleakest and grittiest.

It's kind of a "Grand Hotel" in a sleazy bar. We have lots of types, but, with the exception of one dear thing on her way to the road to Hell with an older man, they're extremely convincing low lifes.

We have a real prostie here, a tough bartender, a couple of guys on the make.

The escaped killer is portrayed very brutally, with understanding but no phony-baloney tears.

The cast could scarcely be better. Marshall Thompson, previously a romantic juvenile, is fine as the blank-faced killed. Andrea King is always a treat, though I wish she weren't obscured by the beret she wears here. Still, the scenes between her and the fast-talking middle-aged Romeo who has her in the bar are superb.

This is one of the best in the genre.


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