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Dial 1119 (1950)

Passed  |   |  Film-Noir, Thriller  |  3 November 1950 (USA)
6.7
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Ratings: 6.7/10 from 578 users  
Reviews: 27 user | 9 critic

A former mental patient murders a bus driver, then takes refuge in a bar, where he holds the patrons hostage.

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(story), (story), 1 more credit »
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Title: Dial 1119 (1950)

Dial 1119 (1950) on IMDb 6.7/10

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Cast

Complete credited cast:
...
Virginia Field ...
Freddy
...
Helen
Sam Levene ...
Dr. John D. Faron
...
Earl
Keefe Brasselle ...
Skip
Richard Rober ...
Police Capt. Henry Keiver
James Bell ...
Harrison D. Barnes
...
Chuckles - Bartender
Dick Simmons ...
Television Announcer
Hal Baylor ...
Police Lt. 'Whitey' Tallman (as Hal Fieberling)
Edit

Storyline

A young mentally-ill killer, Gunther Wyckoff, escapes from a mental institution, murder a bus driver and, then, takes six hostages in a bar. The gun in Wyckoff's hand kills without emotion or pity wielded by a man bare of emotion. Begins as a moral question whether an insane killer should or should not be sent to the electric, but goes elsewhere before it ends. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

|

Release Date:

3 November 1950 (USA)  »

Also Known As:

Les Ames nues  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Goofs

When Wyckoff goes to the office of Dr. Faron in the Criminal Courts Building, the number on the door is plainly printed on said door. But, in close-up, the number is covered with plastic or glass held in place by four screws. See more »

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User Reviews

 
Killer At Large
10 December 2002 | by (brighton, ma) – See all my reviews

This is a most effective little thriller from 1950 concerning a disturbed killer who holds a group of people hostage in a bar. It's the sort of story that had been done many times before in films, and which would soon be a staple on television. There are few surprises in this one, as everyone goes through the motions as one expects they would in a movie like this. As the psychopath, Marshall Thompson isn't really up to the job. He's not awful, but he doesn't generate much tension personally. Robert Walker would have been much better. The actors playing the various hostages are capable, however, and there's a nice sense of what city life was probably like at around this time. Slick and artificial as it is, the film has its charms. It's never boring, and director Gerald Mayer maintains a nice pace.


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