6.7/10
682
27 user 10 critic

Dial 1119 (1950)

Passed | | Film-Noir, Thriller | 3 November 1950 (USA)
An escaped mental patient murders a bus driver, then takes refuge in a bar, where he holds the patrons hostage.

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(story), (story) | 1 more credit »
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Cast

Complete credited cast:
...
...
Freddy
...
Helen
...
Dr. John D. Faron
...
Earl
...
Skip
Richard Rober ...
Police Capt. Henry Keiver
...
Harrison D. Barnes
...
Chuckles - Bartender
...
Television Announcer
Hal Baylor ...
Police Lt. 'Whitey' Tallman (as Hal Fieberling)
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Storyline

A young mentally-ill killer, Gunther Wyckoff, escapes from a mental institution, murders a bus driver and, then, takes six hostages in a bar. The gun in Wyckoff's hand kills without emotion or pity, wielded by a man bare of emotion. It begins as a moral question whether an insane killer should or should not be sent to the electric chair, but goes elsewhere before it ends. Written by Les Adams <longhorn1939@suddenlink.net>

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Certificate:

Passed | See all certifications »
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Details

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Release Date:

3 November 1950 (USA)  »

Also Known As:

Les Ames nues  »

Company Credits

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 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The newspaper editor's secretary, who makes only a brief appearance and has two or three short, expertly delivered lines, is Barbara Billingsley, later to become a television icon as the mother of Beaver Cleaver. See more »

Goofs

On the directory of the Criminal Courts Building, the last two entries of "Quinman, R.A." and "Quimore, C." are out of alphabetical order with the rest. See more »

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User Reviews

A Tough, Gritty Noir Slithering Out of MGM
16 June 2003 | by (NY, NY) – See all my reviews

MGM was known for "More stars than there are in Heaven." And therefore few people think of it in terms of film noir.

But some of the very best noir came out of that studio in the 1940s and 1950s -- this being one of the bleakest and grittiest.

It's kind of a "Grand Hotel" in a sleazy bar. We have lots of types, but, with the exception of one dear thing on her way to the road to Hell with an older man, they're extremely convincing low lifes.

We have a real prostie here, a tough bartender, a couple of guys on the make.

The escaped killer is portrayed very brutally, with understanding but no phony-baloney tears.

The cast could scarcely be better. Marshall Thompson, previously a romantic juvenile, is fine as the blank-faced killed. Andrea King is always a treat, though I wish she weren't obscured by the beret she wears here. Still, the scenes between her and the fast-talking middle-aged Romeo who has her in the bar are superb.

This is one of the best in the genre.


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