Laura Mansfield's father is killed, apparently by a telegraphic messenger. She spots Jackie Wales in a police lineup, but can't identify him positively. Later, she arranges to meet him, and... See full summary »

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Cast

Complete credited cast:
Joyce Mackenzie ...
Laura Mansfield (as Joyce MacKenzie)
Stanley Clements ...
Jackie Wales
Hurd Hatfield ...
Stretch Norton
...
Armitage
Myrna Dell ...
Alice Wentworth
James Flavin ...
Police Lt. Brewster
...
Richard Emory ...
Police Sgt. Mulcahy
Norma Vance ...
Fran - Inebriated Lady
Suzette Harbin ...
Harriett - Nightclub Maid
Buddy Swan ...
Arthur - Blue Streak Messenger
Bert Wenland ...
Dave - Blue Streak Messenger
...
Arthur Mansfield - Laura's Father
Steve Gibson ...
Leader of Redcap Singing Group
Steve Gibson's Redcaps ...
Singing Group
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Storyline

Laura Mansfield's father is killed, apparently by a telegraphic messenger. She spots Jackie Wales in a police lineup, but can't identify him positively. Later, she arranges to meet him, and is convinced he was the killer, but he was acting for someone else. She gets to know Jackie to find out who the boss is, taking a job in the Vogue Club, owned by a man named Armitage. Meanwhile, Alice, Armitage's greedy mistress, goes after Jackie and lures him into blackmailing the nightclub owner. Armitage discovers the betrayal, and kills the two, but Laura schemes to get closer so she can prove him guilty. Written by Mike Rogers <MICHAELPEM@aol.com>

Plot Summary | Add Synopsis

Taglines:

He Could Beat Any Rap But Love!

Genres:

Crime | Drama | Film-Noir

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

9 June 1950 (USA)  »

Also Known As:

Objetivo asesinato  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The movie theatre featured in the film is the Marcal Theatre at 6021 Hollywood Boulevard, Hollywood, California, which featured late runs, revivals and various odds and ends in keeping with its location on the "wrong" end of Hollywood Boulevard. The revival combination of Flight Lieutenant (1942) and Corregidor (1943) was somebody's idea of a "commemoration" of the anniversary of Pearl Harbor, the first week of December 1949, at which time "Destination: Murder" was filmed. See more »

Goofs

When Alice and Laura are talking in the Ladies' Room, the position of Laura's cigarette tray changes depending upon whether the shot is of the reflection in the mirror or is from the other side of the room. See more »

Quotes

Alice Wentworth: What's the matter, honey? Stretch giving you the business?
Laura Mansfield: Stretch? He doesnt' mean anything to me.
Alice Wentworth: Well, he certainly bothers me.
Laura Mansfield: Stretch does? He doesn't bother you.
Alice Wentworth: That's what bothers me.
See more »

Connections

References Germany Year Zero (1948) See more »

Soundtracks

Moonlight Sonata
(uncredited)
Music by Ludwig van Beethoven
Arranged by Irving Gertz
Heard whenever the player piano is playing
See more »

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User Reviews

 
Rather interesting low-budget noir
7 February 2004 | by (New York City) – See all my reviews

"Destination Murder" makes for an enjoyable 70-plus minutes, assuming you're a noir fan and are not bothered by the sort of unlikely plot developments so characteristic of this genre. Notable are the solid performances of Hurd Hatfield (whose name will always be linked with "Dorian Gray") as a sleazy but debonair nightclub manager, the beefy Albert Dekker (whom I will always think of as "Dr. Cyclops"), and Joyce Mackenzie -- a really classy beauty in the sort of wholesome Jane Wyatt mode -- as the plucky heroine who, Nancy Drew-like, disguises herself as a nightclub cigarette girl to help solve the mystery of her father's murder. Also notable is the odd relationship -- odder than we initially assume -- between the Hatfield and Dekker characters. There are several clever plot twists and some interesting little bits of directorial business (e.g., a scene in the ladies' powder room of the nightclub, which offers an unexpected little study in social pecking order when two women ask for a glass of water; and a player piano that's activated when violence is going to take place). What stays with me longest is the memory of Mackenzie's gorgeous eyes and cheekbones.


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