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Destination Moon (1950)

Not Rated  |   |  Adventure, Drama, Sci-Fi  |  August 1950 (USA)
6.4
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Ratings: 6.4/10 from 2,458 users  
Reviews: 64 user | 37 critic

One of the first science fiction films to attempt a high level of accurate technical detail tells the story of the first trip to the moon.

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(written for the screen by) (as Rip Van Ronkel) , (written for the screen by), 2 more credits »
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Title: Destination Moon (1950)

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Won 1 Oscar. Another 2 wins & 2 nominations. See more awards »

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Cast

Complete credited cast:
John Archer ...
Warner Anderson ...
Tom Powers ...
General Thayer
Dick Wesson ...
Erin O'Brien-Moore ...
Emily Cargraves
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Storyline

After their their latest rocket fails, Dr. Charles Cargraves and retired General Thayer have to start over again. this time, Gen. Thayer approaches Jim Barnes, the head of his own aviation construction firms to help build a rocket that will take them to the moon. Together they gather the captains of industry and all pledge to support the goals of having the united States be the first to put a man on the moon. They build their rocket and successfully leave the Earth's gravitational pull and make the landing as scheduled. Barnes has miscalculated their fuel consumption however and after stripping the ship bare, they are still 100 lbs too heavy meaning that one of them will have to stay behind. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

TWO YEARS IN THE MAKING!


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

August 1950 (USA)  »

Also Known As:

Endstation Mond  »

Box Office

Gross:

$5,000,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

While planning the famous EVA rescue scene (in which an oxygen bottle is used as a makeshift propulsion unit) the film makers considered using a shotgun as the means by which John Archer retrieves Warner Anderson when he drifts away from the rocket in space. Thankfully they changed their minds; a shotgun seems like an inappropriate piece of equipment to take to a lifeless, airless satellite. However, the shotgun concept was used in the final film during Woody Woodpecker's cartoon demonstration of rocket propulsion which is shown to the millionaire industrialist who finance the Moon trip. See more »

Goofs

The astronauts go outside the ship to unfreeze a stuck antenna. When one goes adrift and has to be rescued. After he is rescued using an oxygen bottle as a makeshift rocket,they go inside without any repair of the antenna being shown. See more »

Quotes

[Why the government isn't involved if it's so important]
Jim Barnes: Here's the reason. The vast amount of brains, talents, special skills, and research facilities necessary for this project are not in the government, nor can they be mobilized by the government in peacetime without fatal delay. Only American industry can do this job. And American industry must get to work, now, just as we did in the last war!
Industrialist: Yes, but the government footed the bill!
Jim Barnes: And they'll foot this bill, too, if we're successful; you ...
[...]
See more »

Crazy Credits

At the end of the film, a story of the first flight to the Moon, the words THIS IS THE END are displayed first, then OF THE BEGINNING is added. See more »

Connections

Referenced in Alien Trespass (2009) See more »

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User Reviews

 
Story by Heinlein, astronomical art by Bonestell, Pal produced and Woody Woodpecker to boot!
14 October 2000 | by (Tucson AZ) – See all my reviews

I can go for quite a while listing the movie's weaknesses-script, actors, et cetera. But with an idea by Robert Heinlein, Chesley Bonestell handling the astronomical artwork, George Pal as producer and a special bit of animation by Walter Lantz starring Woody Woodpecker done just for the movie, what else matters? Anyone who recognizes all those names and appreciates them understands just what I mean. Since everyone coming here is likely to know Pal and Woody, I won't say any more. For the rest, gather round my children and attend.

Rober Heinlein was the dean of Science Fiction writers. He spun off enough ideas as throwaways to do another writer proud for two careers! As for Chesley Bonestell, quite simply, he was the greatest artist ever when it came to astronomic art. Paintings he did look so real, you'd swear that they were photographs and so accurate that you'd swear he'd been there. Not only did he have no equal, he lapped the field two or three times over. If I ever strike it rich, the first extravagance would be a Bonestell. Genius strikes rarely. Greatness with only somewhat more frequency. This film, flawed in many ways, is shadowed by greatness and touched by at least one genius.


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