Based on the HG Wells story. The world is delighted when a space craft containing a crew made up of the world's astronauts lands on the moon, they think for the first time. But the delight ... See full summary »
After their latest rocket fails, Dr. Charles Cargraves and retired General Thayer have to start over again. This time, Gen. Thayer approaches Jim Barnes, the head of his own aviation construction firms to help build a rocket that will take them to the moon. Together they gather the captains of industry and all pledge to support the goals of having the United States be the first to put a man on the moon. They build their rocket and successfully leave the Earth's gravitational pull and make the landing as scheduled. Barnes has miscalculated their fuel consumption however and after stripping the ship bare, they are still 100 lbs too heavy meaning that one of them will have to stay behind. Written by
The twelfth episode of the NBC radio series "Dimension X" was entitled "Destination Moon" and was based on Robert A. Heinlein's final draft of the film's shooting script. During the broadcast on June 24, 1950, the programme was interrupted by a news bulletin announcing that North Korea had declared war on South Korea, marking the beginning of the Korean War. See more »
When the astronauts emerge from the hatch during their spacewalk to repair the antenna, the shadow of one of the film crew can be seen on the open hatch door, helping push the cast members out onto the surface of the "ship". See more »
[after stepping onto the Moon's surface]
Claim it, Doc! I'm your witness - claim it officially.
Dr. Charles Cargraves:
By the grace of God, and the name of the United States of America, I take possession of this planet on behalf of, and for the benefit of, all mankind.
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At the end of the film, a story of the first flight to the Moon, the words THIS IS THE END are displayed first, then OF THE BEGINNING is added. See more »
Story by Heinlein, astronomical art by Bonestell, Pal produced and Woody Woodpecker to boot!
I can go for quite a while listing the movie's weaknesses-script, actors, et cetera. But with an idea by Robert Heinlein, Chesley Bonestell handling the astronomical artwork, George Pal as producer and a special bit of animation by Walter Lantz starring Woody Woodpecker done just for the movie, what else matters? Anyone who recognizes all those names and appreciates them understands just what I mean. Since everyone coming here is likely to know Pal and Woody, I won't say any more. For the rest, gather round my children and attend.
Rober Heinlein was the dean of Science Fiction writers. He spun off enough ideas as throwaways to do another writer proud for two careers! As for Chesley Bonestell, quite simply, he was the greatest artist ever when it came to astronomic art. Paintings he did look so real, you'd swear that they were photographs and so accurate that you'd swear he'd been there. Not only did he have no equal, he lapped the field two or three times over. If I ever strike it rich, the first extravagance would be a Bonestell. Genius strikes rarely. Greatness with only somewhat more frequency. This film, flawed in many ways, is shadowed by greatness and touched by at least one genius.
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