Four centuries into the future, Cadets Tom Corbett, Roger Manning and Astro are training to become Solar Guards. Their ship, the "Polaris" took them to numerous adventures, usually natural catastrophes rather than villains.
Strange things are happening in Riverdale, Illinois. A huge, seemingly alien structure has been found jutting out of the earth. Sent to investigate the origin of the mysterious object, ... See full summary »
Alan Jay Factor,
On the distant mining world of New Aries, a young colonist, Jim Marlowe, has acquired a native pet, a "roundhead" he names Willis, which can parrot speech and record visual information. As ... See full summary »
Mysterious monstrous alien creatures attack Earth's colonies. This six-part OVA focuses on Juan "Johnnie" Rico who joins the army because of Carmen, a girl he likes, his days in boot camps, his losses and Earth's first counterattack.
After their their latest rocket fails, Dr. Charles Cargraves and retired General Thayer have to start over again. this time, Gen. Thayer approaches Jim Barnes, the head of his own aviation construction firms to help build a rocket that will take them to the moon. Together they gather the captains of industry and all pledge to support the goals of having the united States be the first to put a man on the moon. They build their rocket and successfully leave the Earth's gravitational pull and make the landing as scheduled. Barnes has miscalculated their fuel consumption however and after stripping the ship bare, they are still 100 lbs too heavy meaning that one of them will have to stay behind. Written by
The effects of acceleration is shown by the way the actor's faces distort. According to a magazine article this was done by gluing thin strips of flesh-colored fabric on their faces. The fabric was in turn tied to fishing line which was passed through the "acceleration couches" and pulled by crew members to stretch the skin. See more »
When first watching this film, it appears as though the crew looks through the round port that leads into the airlock to view the Earth outside the ship. This looks like a continuity error, but it is not - the confusion comes from the elaborate "special effect" of weightlessness generated with a rotating set and magnetic boots. The crew was squatting on the "wall" of the cabin and looking "out" through a round porthole on the outer wall of the ship, not down through the floor. There is indeed a round airlock door that leads down into a lower cabin where the spacesuits are kept, but it is not the same round port they looked through to see outside. The rotated perspective, the magnetic shoe use, and the two round windows causes this common misconception. See more »
Ha-ha-ha-HA-ha! It'll never get off the ground. Hmph - no propellers!
Rockets do not employ propellers. They use jets.
So do gas stoves, but they don't fly to the Moon.
Obviously you know nothing about rockets. Now, let's pretend that umbrella of yours is a shotgun.
[It turns into one]
[Woody shoots and goes sliding backwards]
Who pushed me?
The gun, Woody. The charge not only fired out of the muzzle, it kicked back with equal force against the barrel.
Ahhh, it wouldn't happen again in ...
[...] See more »
At the end of the film, a story of the first flight to the Moon, the words THIS IS THE END are displayed first, then OF THE BEGINNING is added. See more »
Most science-fiction films are actually raw fantasy, with a disregard for reality that commonly borders on pure contempt. This isn't always a bad thing, since I really like fantasy. But techno-babble and flashy gadgets are too often only gimmicks favored by dumb producers, ignorant directors, and lazy writers who get themselves into of a jam. "Destination Moon" is rare and different. An enormous amount of time and effort were expended to make it as technically accurate as was possible in 1950. Even Kubrick wasn't this consistent in "2001"; he often let gravity appear where it shouldn't be. They never made that mistake in "Destination Moon". So it's unfortunate they didn't spend as much effort on the story and the acting, but both cast and crew were so wrapped up in creating a real moon trip they skimped on these aspects of story telling. The result was surprisingly impressive visuals for the time, but characters who are shallow, trite, and dull, and crises that arise and are solved while leaving us indifferent.
But there is real drama here, the drama of people trying to imagine what was virtually unimaginable back then -- how to actually get people to the Moon and back -- using real physics and engineering. And if it doesn't measure up to the story of "Apollo 13", another technically accurate film about a REAL trip to the Moon, it still stands out as unique among 1950s films and remains almost as unique among all science-FICTION movies ever made.
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