Cethegus, capo della nobiltà romana, viaggia verso Bisanzio per raggiungere Giustiniano, in attesa di marciare contro i Goti, guidati da Narses. Cethegus vorrebbe ottenere la vittoria su ... See full summary »
Burt Lancaster plays a pirate with a taste for intrigue and acrobatics who involves himself in the goings on of a revolution in the Caribbean in the late 1700s. A light hearted adventure ... See full summary »
Thelma Jordon is in love with a jewel thief, Tony Laredo, and he persuades her to go live with her rich aunt, and steal her jewels. During the robbery, she shoots her formerly-rich aunt, ... See full summary »
Hollywood 1950: The successful producer Larry O'Brian arrives in Los Angeles to found a motion picture company. He buys an old studio which was unused since the days of silent movies. He's ... See full summary »
Air Force test pilot Pike Yarnell reluctantly attends the memorial service for long-dead Donald Beasley, his navigator during the Korean War; recalling, in flashbacks, their painful days ... See full summary »
"Deported" was one the last of Siodmak's American movies,and I have got to agree with the precedent user:it's probably his weakest American effort (for that matter,only the ridiculous " Cobra woman" is worse).It's also the beginning of a period of barren inspiration-although some praise " the crimson pirate" - which would end when he returned in his native Germany where he made other great movies ("Nachts,Wenn Der Teufel Kam" "die Ratten"...).
Siodmak was always a cosmopolitan director who began his career in Germany (1929),then continued in France and spent the forties in America.So it was only natural he chose Italy as the place of his 1950 work.Unfortunately,his depiction of Italy is handicapped by the fact that Italians,most of the time,speak English between them,and that the screenplay is full of Italian clichés such as the meal with the uncle and the whole family.Some characters (Gina)appear and disappear without any purpose.Some (the Comtessa) are clichéd.And it takes a lot of imagination to believe that Jeff Chandler ,who never utters a word in Italian,was born there .Only the scenes in the warehouse where Siodmak does a smart use of toys -although too short- recall his film noir greatness (from " phantom lady" to " Thelma Jordan" (1944-1949) all that he did is classic or near-classic thriller)
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