A man is found murdered, with witnesses convinced about the woman they saw leaving his apartment. However, it becomes apparent that the woman has a twin, and finding out which one is the killer seems impossible.
Olivia de Havilland,
Racketeer Tony Gazotti is thankful that lawyer Jackson Durant helps him beat a murder rap, but Durant just does it for the thrill of it and refuses payment. Durant's defense of mobsters ... See full summary »
W.S. Van Dyke
Cethegus, capo della nobiltà romana, viaggia verso Bisanzio per raggiungere Giustiniano, in attesa di marciare contro i Goti, guidati da Narses. Cethegus vorrebbe ottenere la vittoria su ... See full summary »
Thelma Jordon is in love with a jewel thief, Tony Laredo, and he persuades her to go live with her rich aunt, and steal her jewels. During the robbery, she shoots her formerly-rich aunt, ... See full summary »
A young writer goes to Wiesbaden to write about gambling and gamblers, only to ultimately become a compulsive gambler himself. Losing all his wealth, as well as his moral fibre, he commits ... See full summary »
Roger Quain, who escorts two zoo-bound black panthers on the train from Milan to Paris, agrees to help a Western agent, Catherine Ullven, by hiding a microfilm in the collar of one of the ... See full summary »
In January of 1962, 29 East Berliners escaped to West Berlin via a tunnel they had dug beneath the Berlin Wall, led by Erwin Becker, a chauffeur in the car pool of the East Germany ... See full summary »
"Deported" was one the last of Siodmak's American movies,and I have got to agree with the precedent user:it's probably his weakest American effort (for that matter,only the ridiculous " Cobra woman" is worse).It's also the beginning of a period of barren inspiration-although some praise " the crimson pirate" - which would end when he returned in his native Germany where he made other great movies ("Nachts,Wenn Der Teufel Kam" "die Ratten"...).
Siodmak was always a cosmopolitan director who began his career in Germany (1929),then continued in France and spent the forties in America.So it was only natural he chose Italy as the place of his 1950 work.Unfortunately,his depiction of Italy is handicapped by the fact that Italians,most of the time,speak English between them,and that the screenplay is full of Italian clichés such as the meal with the uncle and the whole family.Some characters (Gina)appear and disappear without any purpose.Some (the Comtessa) are clichéd.And it takes a lot of imagination to believe that Jeff Chandler ,who never utters a word in Italian,was born there .Only the scenes in the warehouse where Siodmak does a smart use of toys -although too short- recall his film noir greatness (from " phantom lady" to " Thelma Jordan" (1944-1949) all that he did is classic or near-classic thriller)
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