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Day of the Fight (1951)

Based on Kubrick's pictorial for Look Magazine (January 18, 1949) entitled "Prizefighter," "Day Of The Fight" tells of a day in the life of a middleweight Irish boxer named Walter Cartier, ... See full summary »

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Cast

Complete credited cast:
Douglas Edwards ...
Narrator (voice)
Nat Fleischer ...
Himself, boxing historian (in longer version only)
Walter Cartier ...
Himself
Vincent Cartier ...
Himself, Walter's twin brother and manager
Bobby James ...
Himself, Walter's opponent
Dan Stampler ...
Himself, owner of The Steak Joint restaurant
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Storyline

Based on Kubrick's pictorial for Look Magazine (January 18, 1949) entitled "Prizefighter," "Day Of The Fight" tells of a day in the life of a middleweight Irish boxer named Walter Cartier, particularly the day of his bout with black middleweight Bobby James. This 16-minute short opens with a short (about 4 minutes) study of boxing's history, narrated by veteran newscaster Douglas Edwards in a no-nonsense, noir tone of voice. After this, we follow Walter (and his twin brother Vincent) through his day as he prepares for his 10:00 P.M. bout. After eating breakfast, going to early mass and eating lunch, he starts arranging his things for the fight at 4:00 P.M. By 8:00, he is waiting in his dressing room, where he undergoes a mental transformation, turning into the fighting machine the crowd clamors for. At 10:00, he faces James, and soon, he comes out victorious in a short match which was filmed live on April 17th, 1950. Written by Marc-David Jacobs <AgentMarcFBI@hotmail.com>

Plot Summary | Plot Synopsis


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

26 April 1951 (USA)  »

Also Known As:

This Is America: Day of the Fight  »

Box Office

Budget:

$3,900 (estimated)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (TCM print)

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The film premiered as part of RKO-Pathé's "This Is America" series and opened at the Paramount Theater in New York on 26 April 26 1951 as a short subject in a program featuring My Forbidden Past (1951). Headlining in a live stage show was Frank Sinatra, which also featured an appearance by blond bombshell Dagmar. See more »

Quotes

Narrator: In these hours he can feel his body tightening, but it's a tightness that does not come from lack of confidence, it's the pressure of the last waiting. Here in a place where the walls are so close a man can barely move his body around. If only the fight would come, then everything else would not be so bad -- not really bad at all.
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Connections

Featured in Stanley Kubrick: A Life in Pictures (2001) See more »

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User Reviews

 
Interesting little short that works thanks to its pacing and shot variety.
29 July 2008 | by (Hampshire, England) – See all my reviews

It's always interesting to go back to the beginning of a director's career, in this case Stanley Kubrick's, and take a look at his earlier work. Day of the Fight just happens to be the first film by now legendary director Kubrick who is widely regarded as one of the best contemporary directors ever. This film is around about 15-20 minutes long and revolves around the build up to a boxing match the study of the build up will revolve around.

Interestingly enough and perhaps the most interesting thing about it is that it was inspired by a photograph Kubrick himself took for a 1949 edition of a magazine. This could be seen as an early example of suspense, with constant reference to the boxing match and its importance made through narrator Douglas Edwards, a good casting for the serious and deep voice the film required. As a short, it works and the suspense and build up maintains some sort of interest as the montage plays out. Kubrick includes all sorts of shots and angles creating the nice range for the eye, my favourite being the low angle on the statue of Mary in the church about half way through.

But the focus could well be the fight itself. There is some good camera work to be had out of the actual match and a low angle between a boxer's legs would later be used by Kubrick in Killer's Kiss, another early Kubrick film. I actually would have liked the boxing match's result to have been the other way around as I feel it would've added a new dimension to the short, a sort of anti-climatic spin that might've worked well. But that said, it's worth seeing if for the match itself and the chance to see where it all started off for the great man.


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