Gamblers who "took" an out-of-town sucker in a crooked poker game feel shadowy vengeance closing in on them.

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(screenplay), (screenplay) (as Larry Marcus) | 2 more credits »
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Soldier (as Henry Morgan)
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Storyline

Danny Haley's bookie operation is shut down, so he and his pals need money; when Danny meets Arthur Winant, a sucker from out of town, he decoys him into a series of poker games where eventually Winant loses $5000 that isn't his...then hangs himself. But it seems Winant had a shadowy, protective elder brother who believes in personal revenge. And each of the card players in turn feels a faceless doom inexorably closing in. Dark streets and sexy torch-singer Fran lend ambience. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

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A tense, tough drama of underworld violence and revenge !


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Release Date:

17 October 1950 (USA)  »

Also Known As:

No Escape  »

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Technical Specs

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Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Burt Lancaster turned down the lead role. See more »

Goofs

Although done in medium long shot, it's obvious the man in the car is not Heston, but a stunt double. See more »

Quotes

Fran Garland: Don't you want to know what's going on in the world?
Danny Haley: What's going on in the world stinks!
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Soundtracks

I DON'T WANT TO WALK WITHOUT YOU
(uncredited)
Music by Jule Styne
Lyrics Frank Loesser
Performed by Lizabeth Scott (dubbed by Trudy Stevens)
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User Reviews

 
Heston's star turn top-notch, but story isn't
19 June 2003 | by (New York, NY) – See all my reviews

Heston does a marvelous job is in his first star turn. Jack Webb, Harry Morgan, and Ed Begley lend impeccable supporting work. Don De Fore is re-teamed with Lizabeth Scott for the first time since You Came Along. Scott (Dead Reckoning, Strange Love of Martha Ivers, I Walk Alone, Stolen Face) is one of my all-time favorite femme fatales. Dieterle's direction is fast-paced and interesting throughout. Unfortunately, the whole turns out to be less than the sum of its parts.

The problem is in the inconsistent and unimaginative script. It's really a pedestrian tale of revenge with a miscast Mike Mazurki -- not a true film noir as it is normally billed. The parade of musical interludes is annoying. The chemistry between Scott and Heston doesn't work. And, the ending is a real letdown.

Chalk this one up as a well-acted and well-directed misfire.


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