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D.O.A. (1950)

7.4
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Ratings: 7.4/10 from 6,894 users  
Reviews: 114 user | 49 critic

Frank Bigelow, told he's been poisoned and has only a few days to live, tries to find out who killed him and why.

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Title: D.O.A. (1950)

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A man discovers that he has been deliberately poisoned and hasn't long to live. In the short time he has left, he determines to find out who poisoned him and why.

Director: Eddie Davis
Stars: Tom Tryon, Carolyn Jones, Rick Jason
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Cast

Cast overview, first billed only:
...
Pamela Britton ...
...
Majak
...
Miss Foster (as Beverly Campbell)
Lynn Baggett ...
William Ching ...
Henry Hart ...
...
Laurette Luez ...
Jess Kirkpatrick ...
Sam
Cay Forester ...
Sue (as Cay Forrester)
Frank Jaquet ...
Dr. Matson (as Fred Jaquet)
Lawrence Dobkin ...
Dr. Schaefer (as Larry Dobkin)
Frank Gerstle ...
Carol Hughes ...
Kitty
Edit

Storyline

Small-town accountant Frank Bigelow goes to San Francisco for a week's fun prior to settling down with fiancée Paula. After a night on the town, he wakes up with more than just a hangover; doctors tell him he's been given a "luminous toxin" with no antidote and has, at most, a week to live! Not knowing who did it or why, Bigelow embarks on a frantic odyssey to find his own murderer. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

A picture as excitingly different as its title!


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

30 April 1950 (USA)  »

Also Known As:

Dead on arrival  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Pamela Britton plays Paula Gibson, the insecure and pushy girlfriend of Frank Bigelow, played by Edmond O'Brien. In 1951 Britton would be cast as Marge Porter in TV's The Bigelow Theatre (1950), a series of teleplays, but which had nothing to do with the name of Edmond O'Brien's character in this film. See more »

Goofs

After finding out who's in the photo, Bigelow leaves the photography studio and immediately starts getting shot at. He heads toward the factory (screen right) where the shots are supposed to be coming from, but all the shots being fired and ricocheting off the ground, pipe, barrel, etc. are coming from the other direction (screen left). See more »

Quotes

[first lines]
Homicide Detective: Can I help you?
Frank Bigelow: I'd like to see the man in charge.
Homicide Detective: In here...
Frank Bigelow: I want to report a murder.
Homicide Captain: Sit down. Where was this murder committed?
Frank Bigelow: San Francisco, last night.
Homicide Captain: Who was murdered?
Frank Bigelow: I was.
See more »

Crazy Credits

The end credits read "The medical facts in this motion picture are authentic. Luminous toxin is a descriptive term for an actual poison. Technical Adviser, Edward F. Dunne, M.D." See more »

Connections

Referenced in From Spam to Sperm (2000) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

The definitive Film Noir....
13 October 2003 | by (Australia) – See all my reviews

Frank Bigelow: "I want to report a murder." Homicide Captain: "Where was this murder committed?" Frank Bigelow: "San Francisco, last night." Homicide Captain: "Who was murdered?" Frank Bigelow: "I was."

It must be the dream of all directors to open a film with a scene or line which carries great impact and remains in the memory. The opening line in D.O.A must rank among the most dramatically effective and intriguing lines that has ever opened a movie. This is the quintessential film noir. Edmond O'Brien as the tough, hard drinking businessman who has grown tired of the normalcy of his life and the clinging Paula. His holiday in San Francisco is an opportunity to break the shackels. The premise that the hero has been given a slow poison for which there is no cure, and only a day or so to solve his own murder before he dies, is exceptional. We also have an array of sultry "bad girls", a seedy villain and a manic hitman. Rudoph Mate directs brilliantly, not missing a moment to twist and turn the action at a fast pace with no dull moments. Scenes of O'Brien running through city streets after he has learned his fate are superb with incredibly realistic wide shots. The fact that his direction is so effective makes one wonder how he could have allowed the lapses of ridiculous canned "wolf whistles" whenever the hero passed a good looking girl in the early scenes. Although these "wolf whistles" are really out of place and very annoying, the film is so effective that we can forgive the indiscretion. This is a classic example of a brilliant plot superbly told in a way that is still gripping 50 years after it was made. D.O.A. defines Film Noir.


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