While best known today for having composed the ending to Puccini's unfinished Turandot, Franco Alfano wrote some dozen operas, including Cyrano de Bergerac (1936) with a libretto by Henri ... See full summary »
The only film record ever made of the original star of Rostand's famous play performing a scene from his most famous role. It is accompanied by a sound-on-cylinder recording of Coquelin's voice reciting one of Cyrano's speeches.
A small town man inherits a significant fortune and takes his family to New York City. Urban culture shock takes the form of strange ways and oddball characters Based on Ring Lardner's novel "The Big Town."
In the Fifteenth Century, France is a defeated and ruined nation after the One Hundred Years War against England. The fourteen years old farm girl Joan of Arc claims to hear voices from ... See full summary »
Francis L. Sullivan
The Royal Shakespeare Company's stage production of the story about the large-nosed swordsman/poet who writes love letters to Roxane, the woman he adores, to court her for the handsome ... See full summary »
Michael A. Simpson
France, 1640: Cyrano, the charismatic swordsman-poet with the absurd nose, hopelessly loves the beauteous Roxane; she, in turn, confesses to Cyrano her love for the handsome but tongue-tied Christian. The chivalrous Cyrano sets up with Christian an innocent deception, with tragic results. Much cut from the play, but dialogue not rewritten. Written by
Rod Crawford <email@example.com>
This film was re-released in 1953 to take advantage of the 3-D craze. The Cyrano de Bergerac (1950) was filmed with the Garutso Balanced Lens, which produced a slight three dimensional effect, because it permitted an extreme depth of field without stopping down the lens. Although the 3-D effect is minimal, the re-release was hyped as being filmed in a 3-D process that did not require glasses. See more »
In the scene in which Cyrano fights off "a hundred men" to save Ragueneau, a stunt double can be seen in some shots doubling for José Ferrer. See more »
Thrice happy he who hides from pomp and power/ In sylvan shade or or solitary bower/ Where balmy zephyrs fan his burning cheeks...
Cyrano de Bergerac:
Clown! King of Clowns! Leave the stage at once!
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Back years ago in high school studying Cyrano de Bergerac, with a textbook having pictures from this film, one of the other students asked simply why didn't he just get a nose job? It got a lot of amusement when the teacher told her that that procedure just wasn't available in Cardinal Richelieu's France.
I'm afraid that that might be the feeling of a lot of readers of the play and viewers of the film. Rostand, who wrote the play in the 19th century about the 17th century might as well have been writing about people on Mars.
If they take that tack then folks will be losing out on appreciating a great play and role essayed by a man who possessed one of the great speaking voices of the century. Jose Ferrer puts everyone else in the cast to shame with his performance of Cyrano.
To be sure Cyrano de Bergerac is a one man play. All the other characters Rostand gave absolutely no depth to. Roxanne is a sweet young girl looking for romance, Christian is a handsome dunce, Comte de Guiche is a Snidely Whiplash villain. But Cyrano, you have to be a real actor to play that one.
Cyrano is a soldier, writer, swordsman even a gourmet of sorts. But that proboscis fills him with doubt when the opposite sex is concerned. He's a tortured soul and Ferrer gives THE interpretation of Cyrano. It will be so a hundred years from now. He's a swashbuckler to be sure, but you certainly couldn't cast any of the normal movie swashbucklers in that part.
I don't know if the MTV generation will feel like my classmate of years ago, but if they turn away from music videos and watch this, they will be treated to a once in a lifetime acting performance.
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