A D.A. becomes the prison warden where he tries to help an inmate he prosecuted, because he believes his sentence was excessive.

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Cast

Credited cast:
...
...
...
Malloby
...
Kay Knowland
Carl Benton Reid ...
Capt. Douglas
...
Convict Ponti
...
Convict Mapes
Martha Stewart ...
Bertie Williams
Henry O'Neill ...
Detective Dorn
Douglas Kennedy ...
Det. Bailey
Roland Winters ...
Vernon Bradley, Attorney
...
Mackay, Head of Parole Board
Rest of cast listed alphabetically:
Wilton Graff ...
Dr. Agar (scenes deleted)
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Storyline

Joe Hufford gets involved in a nightclub brawl, kills a man in self defense, and is sent to prison for manslaughter, to the dismay of district attorney George Knowland who realizes Joe had an incompetent lawyer who should have gotten him off by proving self-defense. Later, Knowland becomes warden of the prison Joe is in, and makes him a Trusty and his chauffeur. Joe and the warden's daughter, Kay, fall in love but Joe gets involved in a prison escape. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

Two powerful stars in a drama of a convict's love for a warden's daughter!


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

August 1950 (USA)  »

Also Known As:

One Way Out  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Quotes

George Knowland: That was a double breasted, overstuffed idiot.
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Connections

Version of Penitentiary (1938) See more »

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User Reviews

 
Much Underrated
19 November 2001 | by (brighton, ma) – See all my reviews

A much underrated prison picture starring Glenn Ford and Broderick Crawford, Convicted moves quickly, has some excellent dialogue, and is chock full of great character actors (Frank Faylen, Millard Mitchell, Whit Bissell). Ford doesn't belong in prison and compassionate warden Crawford seeks to help him out. Everything comes together nicely in this film, which has some fine dark-edged photography and a dingier than usual looking prison. Director Henry Levin handles his material as well as a Wellman or a Keighley would have done, and was somewhat of an enigma, capable of making both dreadful and very good films; his work here however is very sure.


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