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Convicted (1950)

Passed | | Action, Crime, Drama | August 1950 (USA)
A D.A. becomes the prison warden where he tries to help an inmate he prosecuted, because he believes his sentence was excessive.

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(play), (screenplay) | 2 more credits »
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Cast

Credited cast:
...
...
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Malloby
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Kay Knowland
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Capt. Douglas
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Convict Ponti
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Convict Mapes
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Bertie Williams
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Detective Dorn
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Det. Bailey
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Vernon Bradley, Attorney
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Mackay, Head of Parole Board
Rest of cast listed alphabetically:
...
Dr. Agar (scenes deleted)

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Storyline

Joe Hufford gets involved in a nightclub brawl, kills a man in self defense, and is sent to prison for manslaughter, to the dismay of district attorney George Knowland who realizes Joe had an incompetent lawyer who should have gotten him off by proving self-defense. Later, Knowland becomes warden of the prison Joe is in, and makes him a Trusty and his chauffeur. Joe and the warden's daughter, Kay, fall in love but Joe gets involved in a prison escape. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

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Two powerful stars in a drama of a convict's love for a warden's daughter!


Certificate:

Passed | See all certifications »
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Release Date:

August 1950 (USA)  »

Also Known As:

One Way Out  »

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

John Ireland was suspended by Columbia for refusing to work on " Convicted ". He subsequently went to court and won his case, which resulted in him being allowed to buy himself out of his Columbia contract. See more »

Quotes

George Knowland: That was a double breasted, overstuffed idiot.
See more »

Connections

Referenced in Remington Steele: Steele Alive and Kicking (1986) See more »

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User Reviews

 
Sharply etched characters make Glenn Ford prison drama a forgotten surprise
26 July 2002 | by (Western New York) – See all my reviews

A remake of Howard Hawks' 1931 The Criminal Code, Convicted serves up Glenn Ford as an average Joe sent up the river for accidentally causing the death of a man in a night-club brawl. Even the district attorney who prosecuted him (Broderick Crawford) finds his crime pardonable, but a bungled defense sent him to the big house. Parole should come early, but members of the board are cronies of the dead man's father, a prominent citizen, so Ford's in for five years.

In stir, Ford grows embittered and embraces the curious codes of the cell block. He tries to eschew the obvious dangers of a Draconian guard (Carl Benton Reid) and the obligatory stoolie (Frank Faylen, most vividly remembered as the sinister male nurse in the alcoholic ward of The Lost Weekend). But prison life is grinding him down and he decides to join in a break out. But he ends up in solitary after assaulting a guard minutes after learning his father has died, so escapes the destiny of his comrades, who are slaughtered..

Next, a change of regime: the new warden is none other than good-hearted Crawford, and with newfound liberties as a trusty he grows sweet on Crawford's daughter (Dorothy Malone). But the skies have not yet cleared, because there's a movement to kill Faylen for causing the deaths of the men involved in the prison break....

While not so truculent a prison drama as Brute Force, three years earlier, the more staid Convicted develops with cumulative power. Burnett Guffey photographs the decrepit squalor of the prison with loving revulsion. The script, too, is well written (if lacking the edge of the same year's Caged, set in a women's penitentiary), with a streak of gallows humor shot through it – the warden counts among his household staff a cook who poisoned his wife and a barber who slit a man's throat. The story gets driven by character, as well, and the characters are sharply acted: Millard Mitchell, as Ford's cellmate, and Faylen are especially memorable.

Ford, on the other hand, plays the masochist a little too readily, a point that would not be so finely drawn if it didn't parallel so many of his other roles in the noir cycle. As a result, that quintessential bull-in-a-china shop, Crawford, upstages him scene after scene. Despite a wrap-up that's a bit too sunny to swallow, Convicted holds an honorable place in the long line of movies that have peered into the national psychosis we like to refer to as rehabilitation.


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