In 1866, a new gold discovery and an inconclusive conference force the U.S. Army to build a road and fort in territory ceded by previous treaty to the Sioux...to the disgust of frontier ... See full summary »
When a handful of settlers survive an Apache attack on their wagon train they must put their lives into the hands of Comanche Todd, a white man who has lived with the Comanches most of his ... See full summary »
When Cochise bands together with Geronimo and other Indian nations, Major Colton abandons his fort, heading towards Fort Sheridan, through Apache Pass. Only thing in his way are the Indians he used to call his friends.
Billy the Kid becomes embroiled in Lincoln County, NM, land wars. When rancher who gave him a break is killed by rival henchman, Billy vows revenge. New employer takes advantage of his ... See full summary »
Two brothers, Ben and Clint, join a cattle drive from Texas to Montana. While heading for Texas they save Nella from the Indians, and she decides to ride with them. Ben and Nella start to ... See full summary »
Silver has been found on comanche territory and the government accomplished a peaceful agreement with the indians. When James 'Jim' Bowie comes into the scene he finds the white settlers living near by planning to attack the indians although they know about that agreement and the beautiful Katie seems to play a leading role in this intrigue. Written by
While this isn't an awful Western, there are clearly deficient aspects here that prevent greatness. The fight scenes don't thrill. The saloon brawl is poorly crafted, and nowhere near as funny as intended. The Comanches are depicted as 'injuns', with whites playing the only speaking parts. The central love/hate relationship between Carey and O'Hara is of the screwball comedy variety, but Carey is no Clark Gable.
In addition to the desert scenery, the only other real value this has is historical -- a reminder of whence more recent movies extract their ideas. For example, the imposing presence of the Bowie knife would later be borrowed by the "Rambo" movies.
O'Hara is probably the best single feature here, her two-fisted feisty redhead serving as a template for the Nicole Kidmans of the modern era. And the bull whip cracking and fight on the runaway wagon would become ingredients in "Raiders of the Lost Ark".
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