Silver has been found on comanche territory and the government accomplished a peaceful agreement with the indians. When James 'Jim' Bowie comes into the scene he finds the white settlers ... See full summary »
Silver has been found on comanche territory and the government accomplished a peaceful agreement with the indians. When James 'Jim' Bowie comes into the scene he finds the white settlers living near by planning to attack the indians although they know about that agreement and the beautiful Katie seems to play a leading role in this intrigue. Written by
In the opening scenes, McDonald Carey is wearing a dark brown rimmed hat. When rides out of the Indian village and into town with Will Geer, he's wearing a cream colored rimmed hat. See more »
You all know what we're here for. I had you men picked because I think you all feel the way I do. We didn't come out here for the good of the glorious West... but for our own good. And that being so, we're moving on Comanche territory tonight.
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While this isn't an awful Western, there are clearly deficient aspects here that prevent greatness. The fight scenes don't thrill. The saloon brawl is poorly crafted, and nowhere near as funny as intended. The Comanches are depicted as 'injuns', with whites playing the only speaking parts. The central love/hate relationship between Carey and O'Hara is of the screwball comedy variety, but Carey is no Clark Gable.
In addition to the desert scenery, the only other real value this has is historical -- a reminder of whence more recent movies extract their ideas. For example, the imposing presence of the Bowie knife would later be borrowed by the "Rambo" movies.
O'Hara is probably the best single feature here, her two-fisted feisty redhead serving as a template for the Nicole Kidmans of the modern era. And the bull whip cracking and fight on the runaway wagon would become ingredients in "Raiders of the Lost Ark".
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