Indeed, man craves to eat and George Geef (Goofy) is no exception. He eats like it's going out of style. Finally, his reflection in the mirror tells him he's getting too fat. Goofy starts ... See full summary »
Goofy (again playing George Geef) is a nicotine addict to the extreme. He smokes while doing income tax, before going to bed, after waking up in the morning, and at work. Finally, he ... See full summary »
Goofy shows us how to swim, first using a piano stool to demonstrate the strokes, right into the middle of traffic and back again. Next, Goofy tries to change in a tiny beachhouse and ends ... See full summary »
Goofy is hired to solve a mystery of a missing "Al." He searches the city for clues, but constantly runs into a city sheriff (who is portrayed by Pete) who tells him to let the police ... See full summary »
Goofy is about to set up a hammock in the backyard of his penthouse apartment but is minus one tree. He immediately decides to get another one but he shows poor judgement in regards that ... See full summary »
After a short of history of man's eternal quest for sleep (from the stone ages to modern times) as well as a demonstration of what puts man to sleep and how man sleeps (like the dog, the ... See full summary »
After several long days at work, Goofy finally takes a much needed vacation. However, his trip never quite gets off the ground mainly because he spends most of it stuck behind a slow moving... See full summary »
The carrier of the common cold is a tiny virus easily identified by his red nose. Although the virus wins few friends, he "influenzas" many people. Sometimes the average man seems to deliberately try to catch cold.
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Poor Goofy is miserably home in bed fighting - and losing - the COLD WAR.
Goofy steps back into his oddly human-like persona of George Geef in this amusing little film. Anyone who's ever suffered through a bad cold will ache in sympathy with our hero who must deal with unswallowable pills, freezing feet and the kind but painful nursing of a well-meaning spouse.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.
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