"Cheaper By the Dozen", based on the real-life story of the Gilbreth family, follows them from Providence, Rhode Island, to Montclair, New Jersey, and details the amusing anecdotes found in... See full summary »
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Four friends from the small Texas town of Dancer are graduating from high school and are planning to move to L.A. after graduation, taking the population of Dancer down to 77 from 81. All ... See full summary »
Director:
Tim McCanlies
Stars:
Breckin Meyer,
Peter Facinelli,
Eddie Mills
Fran Garrison's all in a tizzy because her prize Dachshund, Danke, is having pups, and she has hopes of one of the pups becoming a champion. But at the vet's, her husband Jim is talked into... See full summary »
Director:
Norman Tokar
Stars:
Dean Jones,
Suzanne Pleshette,
Charles Ruggles
Tom Winston, a widower, is trying to understand and raise three precocious children alone. He gets a little unexpected help from Cinzia, when the children decide she is be the new maid. She... See full summary »
Abby McClure, a widow with three sons, and Jake Iverson, a widower with a teen-age daughter, get fixed up. They start dating and decide to get married. They're not prepared for the hostile ... See full summary »
"Cheaper By the Dozen", based on the real-life story of the Gilbreth family, follows them from Providence, Rhode Island, to Montclair, New Jersey, and details the amusing anecdotes found in large families. Frank Gilbreth, Sr., was a pioneer in the field of motion study, and often used his family as guinea pigs (with amusing and sometimes embarrassing results). He resisted popular culture,railing against his daughters' desires for bobbed hair and comsmetics. Written by
Becki Bozart <beckeye@aone.com>
The big house the family moves to in Montclair is the same house set originally built for Judy Garland's family in Meet Me in St. Louis. Fox didn't have an appropriate standing outdoor set so they rented time on the "St. Louis Street" on MGM lot #2. See more »
Goofs
As the camera zooms in during the tonsillectomy, you can see the shadow of the camera on the back of one of the nurses' white coats. See more »
Quotes
Repairman:
All those kids yours mister, or is this a picnic?
Frank Gilbreth:
They're all mine and believe me, it's no picnic!
See more »
Clifton Webb is a joy in this delightful film, based on a true story, of an eccentric genius and his twelve children. The color is gorgeous, and the interior design of the family's New Jersey home ought to have won an Oscar. Myrna Loy is solid as Webb's patient, loving wife, and Jeanne Crain energetic as his spunky daughter. There isn't much story here, as events unfold naturally, as they do in life, and one isn't always sure where the film is going. Early twentieth century America is captured in all its overstuffed, art nouveau-ish glory, as the film's plot, irregular, often going off on odd tangents, perfectly mimics that style of design so popular at the time. The movie is really about the end of an era, as we see the very tail end of the Gilded Age turning into the roaring twenties, and with it the death of the old paternalism, at times stiff, occasionally charming, perfectly embodied by Mr. Webb; and there is an awesome sadness at the film's conclusion, as we see a man and his era pass into history.
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Clifton Webb is a joy in this delightful film, based on a true story, of an eccentric genius and his twelve children. The color is gorgeous, and the interior design of the family's New Jersey home ought to have won an Oscar. Myrna Loy is solid as Webb's patient, loving wife, and Jeanne Crain energetic as his spunky daughter. There isn't much story here, as events unfold naturally, as they do in life, and one isn't always sure where the film is going. Early twentieth century America is captured in all its overstuffed, art nouveau-ish glory, as the film's plot, irregular, often going off on odd tangents, perfectly mimics that style of design so popular at the time. The movie is really about the end of an era, as we see the very tail end of the Gilded Age turning into the roaring twenties, and with it the death of the old paternalism, at times stiff, occasionally charming, perfectly embodied by Mr. Webb; and there is an awesome sadness at the film's conclusion, as we see a man and his era pass into history.