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Camp Dog (1950)

6.7
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Ratings: 6.7/10 from 98 users  
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Two coyotes (father and son) smell food. They arrive in a campsite just in time to see the owner (presumably Mickey) heading downriver in a boat. The food is secured up in a tree, and Pluto... See full summary »

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(as Charles Nichols)
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Title: Camp Dog (1950)

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Cast

Credited cast:
Pinto Colvig ...
Pluto (voice)
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Storyline

Two coyotes (father and son) smell food. They arrive in a campsite just in time to see the owner (presumably Mickey) heading downriver in a boat. The food is secured up in a tree, and Pluto, though sleeping, is standing guard. The father sets to work on getting the food down, but junior keeps dragging Pluto out for his dinner. Dad knows that Pluto is nothing but trouble, and keeps putting him back in the tent. They eventually get the food down, between run-ins with Pluto, and are preparing to feast when Pluto runs them off and the owner returns. Pluto realizes that, without the coyotes, he's going to get blamed, and goes off to join his former foes. Written by Jon Reeves <jreeves@imdb.com>

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Release Date:

22 September 1950 (USA)  »

Also Known As:

Lejrhunden  »

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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User Reviews

 
Pluto's Final Coyote Fight
25 October 2002 | by (Forest Ranch, CA) – See all my reviews

A Walt Disney PLUTO Cartoon.

A mangy coyote and his dimwitted son attempt to raid the cache of food supplies left by fishermen - not realizing that CAMP DOG Pluto has been left on guard.

This was the last of a short series of films featuring Bent-Tail & Bent- Tail, Junior as Pluto's antagonists. The animation is quite routine, but the story is humorous.

Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.


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