Broken Arrow
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2017 | 2016 | 2015 | 2013 | 2012 | 2010

3 items from 2017


Their Western Moment: A Conversation with Valeska Grisebach

27 May 2017 5:28 AM, PDT | MUBI | See recent MUBI news »

For those with a sudden interest in new German cinema thanks to last year’s Toni Erdmann, the Cannes Film Festival has again selected another powerful, deeply human and intricately political drama in Valeska Grisebach’s terrific Western. Like Maren Ade, with whom she has collaborated, Grisebach has made two films—the lovely graduation short feature Be My Star (2001) and Longing (2006), a small town tale of a fireman’s love life—with long pauses in between. Western comes more than a decade after her first proper feature, and it confirms that the director is as talented as ever.The setting is a German worker camp in the modern day Bulgarian countryside, and, as as the title daringly states, this is indeed a "western." The isolated Germans are the encroaching (economic) colonizers—“we come here to work,” they say, flush with money and a reputation dating from the Second World War »

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Cannes 2017. Europe's New Frontier—Valeska Grisebach's "Western"

22 May 2017 5:48 AM, PDT | MUBI | See recent MUBI news »

Meinhard Neumann and Syuleyman Alilov Letifov.For those with a sudden interest in new German cinema thanks to last year’s Toni Erdmann, the Cannes Film Festival has again selected another powerful, deeply human and intricately political drama in Valeska Grisebach’s terrific Western. Like Maren Ade, with whom she has collaborated, Grisebach has made two films—the lovely graduation short feature Be My Star (2001) and Longing (2006), a small town tale of a fireman’s love life—with long pauses in between. Western comes more than a decade after her first proper feature, and it confirms the director as talented as ever.The setting is a German worker camp in the modern day Bulgarian countryside, and, as as the title daringly states, this is indeed a "western." The isolated Germans are the encroaching (economic) colonizers—“we come here to work,” they say, flush with money and a reputation dating from »

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The Loved One / Broken Arrow

8 May 2017 1:40 PM, PDT | Trailers from Hell | See recent Trailers from Hell news »

The Loved One 

Blu-ray

Warner Archives

1965 / B&W / 1:85 / / 122 min. / Street Date May 9, 2017

Starring: Robert Morse, Jonathan Winters, Anjanette Comer.

Cinematography: Haskell Wexler

Film Editor: Hal Ashby, Brian Smedley-Aston

Written by Terry Southern, Christopher Isherwood

Produced by Martin Ransohoff (uncredited), John Calley, Haskell Wexler

Directed by Tony Richardson

 

Funeral Director: Before you go, I was just wondering… would you be interested in some extras for the loved one?

Next Of Kin: What kind of extras?

Funeral Director: Well, how about a casket?

Mike Nichols and Elaine May – The $65 Dollar Funeral

That routine, a classic example of what was known in the early 60’s as “sick humor”, was nevertheless ubiquitous across mainstream variety shows like Ed Sullivan and Jack Paar. It also popularized the notion of a new boutique industry, the vanity funeral. The novelist Evelyn Waugh, decidedly less mainstream, documented the beginning of that phenomenon over a decade earlier with The Loved One, »

- Charlie Largent

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2017 | 2016 | 2015 | 2013 | 2012 | 2010

3 items from 2017


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