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Broken Arrow (1950)

Approved | | Drama, Romance, Western | August 1950 (USA)
Tom Jeffords tries to make peace between settlers and Apaches.



(novel), (screenplay) | 1 more credit »

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Nominated for 3 Oscars. Another 2 wins & 3 nominations. See more awards »


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Complete credited cast:
Ben Slade
Terry (as Joyce MacKenzie)
Milt Duffield


By 1870, there has been 10 years of cruel war between settlers and Cochise's Apaches. Ex-soldier Tom Jeffords saves the life of an Apache boy and starts to wonder if Indians are human, after all; soon, he determines to use this chance to make himself an ambassador. Against all odds, his solitary mission into Cochise's stronghold opens a dialogue. Opportunely, the president sends General Howard with orders to conclude peace. But even with Jeffords's luck, the deep grievance and hatred on both sides make tragic failure all too likely. Written by Rod Crawford <puffinus@u.washington.edu>

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Drama | Romance | Western


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Release Date:

August 1950 (USA)  »

Also Known As:

Arrow  »

Filming Locations:


Company Credits

Production Co:

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Technical Specs


Sound Mix:

(Western Electric Recording)



Aspect Ratio:

1.37 : 1
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Did You Know?


Features Jeff Chandler's only Oscar nominated performance. See more »


Jeffords encounters a wounded Apache boy. Even though he used his knife to dig out 8 buckshot rounds from the boy's back, days later there are no marks on his bare back. See more »


[first lines]
[opening narration]
Tom Jeffords: This is the story of a land, of the people who lived on it in the year 1870, and of a man whose name was Cochise. He was an Indian - leader of the Chiricahua Apache tribe. I was involved in the story and what I have to tell happened exactly as you'll see it - the only change will be that when the Apaches speak, they will speak in our language. What took place is part of the history of Arizona and it began for me here where you see me riding.
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Featured in 100 Years of the Hollywood Western (1994) See more »

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User Reviews

To talk of peace is not hard. To live it is very hard.
19 September 2012 | by See all my reviews

As the war rages between the American settlers and the Apache, former soldier Tom Jeffords happens upon a young Indian wounded after an attack. Taking upon himself to aid the boy, it's not long before the Apache show up intent on killing Jeffords by way of the war instincts. Pleading for Jeffords' life, the boy manages to get him spared by the Apache chief, Cochise. It's the start of a friendship that may just bring and end to the war and peace across the west.

Tho not the first "social" Western film made, Broken Arrow, it can be argued, is maybe one of the most important and telling genre films of the 50s. Showing humanist portrayals of the Apache and dealing out level headed tellings of the relationships between whites and the Native Americans, Delmer Daves' film is as relevant today as it was back on release. Adapted from Elliott Arnold's novel Blood Brother, the story follows Jeffords (a measured and fine James Stewart) as he attempts to broker peace between the warring factions. Firstly by convincing Cochise (Jeff Chandler bang on form) to allow the mail run thru the pass, something that brings suspicion and calls of Indian lover from Jeffords' own kind, and then to finally set up a peace pact at a time when violence and hatred was rife in the west.

As the friendship between the two men grows, Jeffords and an Apache girl fall in love (beautiful Debra Paget as Sonseeahray), thus giving the story a further jolt of momentum. The screenplay then really hits its stride, as Daves and his crew pit peace and inter racial love against a backdrop of bloodshed and savagery. Never glossing over just how hard peace is going to be, Broken Arrow retains intelligence and a sensitivity even as breakaway factions from both sides (for example we see Geronimo split the Apache and form a renegade front) are intent on killing off the peace process. It even has time for deep emotional kickers to reinforce the point of just how tough and unlikely peace and tolerance can be sometimes.

Broken Arrow was, and still is, a bold picture. In fact it can be argued that for the likes of Daves and Stewart, it was at the time very bold and risky career moves. But it paid off because the film stands up today as a picture of some distinction. It's themes and approach to its subjects are something that this generation, and all the future ones, will always find to be socially important. Boosted by Hugo Friedhofer's luscious score and taking advantage of the Lone Pine location shoot, Broken Arrow is a fine fine film that even non Western fans should be looking to absorb. 8/10

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