Barely historical presentation of the life of Jim Bowie. Here he goes to New Orleans to sell lumber but falls in love with Judalon. To match his rivals he must become sophisticated and does... See full summary »
Two men are released from the Arizona Territorial Prison at Yuma in 1898. One, the Dutchman, is out to get both gold and revenge from the people of a small mining town who had him ... See full summary »
In 1872, Indian fighter Johnny MacKay is appointed peace commissioner for the California and Oregon territory but he faces tough opposition from the renegade Modocs led by their brutal chief Captain Jack.
Twenty-five years ago the Lavery baby was kidnapped. Bad guy Leffingwell gets Choya to impersonate the son to gain the Lavery estate. When he finally fesses up to his "sister" Ruth she is furious. To redeem himself he sets out to find the real son. Written by
Ed Stephan <email@example.com>
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on January 28, 1952 with Mona Freeman reprising her film role. See more »
All my life, I've been a snake. I've lived by my wits. I've gotten what I've wanted anyway I wanted it. Just lately I've been wondering just for once if I couldn't do something straight... do something a little decent.
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The imposter topic is very rare in a western:we often find it in a classic detective film like "no man of her own"(1950) and its French mediocre remake "I married a shadow" (1982).Except for the short prologue ,first half looks like a psychological suspense.Second part is more eventful,although not at the expense of Alan Ladd character's frames of mind.
The hero actually is in need of a family;we know it from the start,Alan Ladd's wistful face tells it all.Love interest-which might be some kind of faux incest-is not as convincing as the hero's searching for haven ;it's a pity that the mother's character is not more present because she is,more than Mona Freeman's one,the keystone of the story.
Also a work of redemption ,because Ladd will try to redeem himself ,and a plea for peace and understanding,proof positive that a western does not need a violent showdown to be successful.The Rio Grande becomes a beautiful symbol,as human as political,and the scene when the Father takes in the two men on its banks has a biblical grandeur.
Rudolph Mate shows here that a B western can sometimes be deeper than so-called" A grade" classic ones.
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