A gunfighter takes part in a scheme to bilk a wealthy cattle family out of half a million dollars by pretending to be their son, who was kidnapped as child.

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Cast

Complete credited cast:
...
Mona Freeman ...
...
Mr. Lavery
...
T. Jefferson Leffingwell
...
Rubriz
...
Tonio
Selena Royle ...
Mrs. Lavery
Tom Tully ...
Ransom
John Berkes ...
Tattoo
...
Dawson
Martin Garralaga ...
Hernandez
Edward Clark ...
Dad Travis
John Butler ...
Spig
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Storyline

Twenty-five years ago the Lavery baby was kidnapped. Bad guy Leffingwell gets Choya to impersonate the son to gain the Lavery estate. When he finally fesses up to his "sister" Ruth she is furious. To redeem himself he sets out to find the real son. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

LADD as you like him in an Action-Packed Adventure!

Genres:

Crime | Western

Certificate:

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Details

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Release Date:

November 1950 (USA)  »

Also Known As:

Montana Rides  »

Filming Locations:

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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on January 28, 1952 with Mona Freeman reprising her film role. See more »

Quotes

T. Jefferson Leffingwell: We don't need Tattoo. No sense dragging a lot of dead weight... especially when it's all drunken mouth.
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Connections

Featured in Wild Iris (2001) See more »

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User Reviews

Melodrama meets western.
22 January 2002 | by See all my reviews

The imposter topic is very rare in a western:we often find it in a classic detective film like "no man of her own"(1950) and its French mediocre remake "I married a shadow" (1982).Except for the short prologue ,first half looks like a psychological suspense.Second part is more eventful,although not at the expense of Alan Ladd character's frames of mind.

The hero actually is in need of a family;we know it from the start,Alan Ladd's wistful face tells it all.Love interest-which might be some kind of faux incest-is not as convincing as the hero's searching for haven ;it's a pity that the mother's character is not more present because she is,more than Mona Freeman's one,the keystone of the story.

Also a work of redemption ,because Ladd will try to redeem himself ,and a plea for peace and understanding,proof positive that a western does not need a violent showdown to be successful.The Rio Grande becomes a beautiful symbol,as human as political,and the scene when the Father takes in the two men on its banks has a biblical grandeur.

Rudolph Mate shows here that a B western can sometimes be deeper than so-called" A grade" classic ones.


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