A businessman shows up in Washington to lobby agendas that are friendly to his construction plans. His ditsy ex-showgirl bimbo proves to be an embarrassment in social situations, so he ... See full summary »
Gladys Glover has just lost her modelling job when she meets filmmaker Pete Sheppard shooting a documentary in Central Park. For Pete it's love at first sight, but Gladys has her mind on ... See full summary »
Ella Peterson is a Brooklyn telephone answering service operator who tries to improve the lives of her clients by passing along bits of information she hears from other clients. She falls ... See full summary »
Uncouth, loud-mouth junkyard tycoon Harry Brock descends upon Washington D.C. to buy himself a congressman or two, bringing with him his mistress, ex-showgirl Billie Dawn. Brock hires newspaperman Paul Verrall to see if he can soften her rough edges and make her more presentable in capital society. But Harry gets more than he bargained for as Billie absorbs Verall's lessons in U.S. history and not only comes to the realization that Harry is nothing but a two-bit, corrupt crook, but in the process also falls in love with her handsome tutor. Written by
Paul Penna <firstname.lastname@example.org>
Paul Douglas, who created the role of Harry Brock on stage, turned down the chance to play him in the movie adaptation because the part had been considerably reduced for the film. He later went on to star opposite Judy as Edward L. McKeever in the 1956 film, The Solid Gold Cadillac (1956) where Judy once again plays a ditsy blonde who ends up outsmarting her opponents. See more »
Brock's luxury suite at the Statler Hotel (now the Hilton), on 16th and K Streets, NW, has a close-up view of the Capitol dome which could not possibly be seen from that angle across town. See more »
Don't you feel good? You want a aspirin?
No, no, I'm fine. In fact, considering I've been dead for sixteen years I'm in remarkable health.
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Okay, so Bette and Gloria lost out to Judy Holliday in this Oscar race 50 years ago. In 20/20 hindsight, have there not been enough scenery-chewing, over-the-top dramatics that have won Academy Awards over the years? Even the least of actors acknowledge that comedy is more difficult to play well than drama.
When I watch "Born Yesterday" - I KNOW I'm observing two masters at work: Judy Holliday and Broderick Crawford. (Holden gives a good performance, of course, but can't hold a light to his co-stars in this particular project.) Holliday is mesmerizing with every expression, every screechy syllable - and watch those hands during the gin game! Perfection in each gesture. Crawford pulls off a nifty trick by making the viewer simultaneously loathe and feel compassion for his character.
Although she died before I was even a twinkle in my mother's eye, I think I could have hung out with Judy Holliday (nee' Judith Tuvim.) I like intelligent people, and I've read that she was a brilliant woman. Makes sense: it takes some serious smarts to play so dumb. She was a funnier Marilyn before there WAS a Marilyn.
Partially because she died so young, and partially because of her refusal to play patty-cake with the HUAC, she is now an under-appreciated memory. There's one more reason to love Judy: can you think of any other person hauled before the HUAC who had the . . . <ahem> . . . gonads to confound the committee by appearing as a character from one of their own movies? And pull it off? Now that, ladies and gentlemen, takes guts AND brains!
Treasure this unique gem and then . . .
Thank God for the short-lived, but stunning talent of Judy Holliday.
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