Christabel fools everyone with her sweet exterior including her cousin Donna and Donna's wealthy fiancée Curtis. The only one who sees through her facade is Nick, a rugged writer who loves ... See full summary »
Nick Cochran, an American in exile in Macao, has a chance to restore his name by helping capture an international crime lord. Undercover, can he mislead the bad guys and still woo the handsome singer/petty crook, Julie Benson?
Josef von Sternberg,
Letty, a young woman who ended up pregnant, unmarried and on the streets at fifteen is bitter and determined that her child will not grow up to be taken advantage of. Letty teaches her ... See full summary »
The big national crime syndicate has moved into town, partnering up with local crime boss Nick Scanlon. There are only two problems: First, Nick is the violent type, preferring to do things... See full summary »
Based on James Barrie's play "Alice Sit-By-The-Fire". In turn-of-the-century New York, a young girl who believes she's learned "the seamy side of life" from a risque play takes it upon ... See full summary »
Director 'Nicholas Ray' is eager to complete a final film before his imminent death from cancer. Wim Wenders is working on his own film _Hammett (1983)_ in Hollywood, but flies to New York ... See full summary »
Harry and Eve Graham are trying to adopt a baby. The head of the agency senses Harry is keeping a secret and does some investigating. He soon discovers Harry has done an unusual amount of ... See full summary »
Christabel fools everyone with her sweet exterior including her cousin Donna and Donna's wealthy fiancée Curtis. The only one who sees through her facade is Nick, a rugged writer who loves her anyway. Christabel also loves Nick, but she loves Curtis' money more. After convincing Curtis that Donna is only interested in him for his money, she tricks Curtis into marrying her. Of course, she still dallies with Nick on the side. Written by
Daniel Bubbeo <email@example.com>
After years of watching films and studying their art for my own pleasure, I've decided that some of the most interesting and least appreciated movies are those released under the RKO logo. Born to be Bad is a prime example. Made in 1948-49 (not released until '50) under the aegis of Howard Hughes while he was alternately pursuing and manipulating Joan Fontaine, this movie has a unique, non -studio look. Very little location work was done, but doesn't it feel like San Francisco (more than Vertigo!). Literate script, intelligent casting, stylish sets and costumes (New York designer Hattie Carnegie for Fontaine, RKO in-house man Michael Woulfe for Joan Leslie) add up to an engrossing, adult 90 minutes. Speaking of adult; there's been some comments here about the Mel Ferrer character: "Is he or isn't he gay?" IS THERE ANY DOUBT? And check out one scene, unbelievably adult for 1950 Hollywood: When Fontaine returns home after a torrid sexual encounter with Robert Ryan, she quickly takes a hot bath before husband Zachary Scott returns home. Scent of another man? Pretty hot stuff in retrospect. Check this movie out when you get the opportunity!
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