When their ship docks the crew disembark as usual to pick up their lives in postwar London. For one of them his petty smuggling turns more serious when he finds himself caught up with a robbery in the City.
In 1950s London racial hostility to Commonweath immigrants is openly paraded. A pregnant girl, initially assumed to be white, is murdered. As two detectives start to investigate, and ... See full summary »
A psychotherapist attempts to rehabilitate a convict in his home after he breaks in. The criminal cooperates rather than being handed over to the police. The therapist's wife becomes ... See full summary »
We follow the daily activities of two London bobbies, veteran George Dixon and rookie Andy Mitchell. Meanwhile, young hoods Tom and Spud plan a series of robberies with Tom's girl Diana, a discontented beauty, as inside worker. But in their second crime, one of our heroes is shot, setting off a citywide manhunt. The killer is clever, but will he outsmart himself? Written by
Rod Crawford <email@example.com>
Dixon's comment about the missing dog, "You ought to have called him Strachey", is a reference to the then Minister for Food, John Strachey. Strachey was in charge of rationing and, like the dog, was "accused" of stealing food from the people. See more »
George Dixon may have put the cape into the local police call box before starting his beat. See more »
"The Blue Lamp" is a British film told in semidocumentary style about the rise of youth crime in Britain after World War II. It follows a seasoned policeman, Dixon (Jack Warner) and a rookie (Jimmy Hanley) and two young thieves, played by Dirk Bogarde and Patric Doonan. When Dixon is shot while trying to stop a robbery, the police search for the perpetrators. The film shows their painstaking grunt work and questioning, and also how the case dovetails another one, the disappearance of a young woman, Diana Lewis (Peggy Evans, quite possibly one of the worst actresses ever to hit movies).
This was the film that made 28-year-old Dirk Bogarde a star - he plays the cold, desperate and volatile Tom Riley with the great intensity that was to set him apart from other actors. There was no one quite like him in film - movie star handsome and emotionally complex, with what can best be described as a glint of madness in his eyes. He could play just about anything and did. Not satisfied with matinée idol status, he took the lead in the controversial film Victim in 1961 and wrote after its release: "Overnight, the 4000 maniacs who were writing to me stopped." That was fine with him! Very good movie, with excellent performances all around, with the exception of the hysterical, annoying performance by Evans. Jack Warner does a wonderful job as kindly, experienced P.C. Dixon - so wonderful, in fact, that he continued to play the role after the film in a television series.
This is sort of the "Naked City" of London. Very good.
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