The daily routine of two London policemen is interrupted by a killer.

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(screenplay), (original treatment) | 2 more credits »
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Won 1 BAFTA Film Award. Another 1 nomination. See more awards »

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Cast

Complete credited cast:
Jack Warner ...
Jimmy Hanley ...
...
Robert Flemyng ...
Police Sgt. Roberts
...
Peggy Evans ...
Diana Lewis
Patric Doonan ...
Spud
Bruce Seton ...
PC Campbell
Meredith Edwards ...
Clive Morton ...
Police Sgt. Brooks
Frederick Piper ...
Alf Lewis
...
Maisie
Gladys Henson ...
Mrs Dixon
Tessie O'Shea ...
Herself
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Storyline

We follow the daily activities of two London bobbies, veteran George Dixon and rookie Andy Mitchell. Meanwhile, young hoods Tom and Spud plan a series of robberies with Tom's girl Diana, a discontented beauty, as inside worker. But in their second crime, one of our heroes is shot, setting off a citywide manhunt. The killer is clever, but will he outsmart himself? Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

The unending battle of the city streets See more »

Genres:

Crime | Drama | Thriller

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

1 June 1950 (USA)  »

Also Known As:

A Lâmpada Azul  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Gaumont Kalee) (RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The producers obtained the full co-operation from the Metropolitan Police (the first film to do so) and were, therefore, able to use the real-life Paddington Green Police Station and New Scotland Yard for their location work. See more »

Goofs

As PC Dixon leaves the police station to go on his beat, he picks up his cape and puts it over his shoulder. A short while later he's seen on his beat, but his cape has disappeared. See more »

Quotes

Diana Lewis: What d'ye think I am? Soft or something?
Spud: Yeah.
See more »

Connections

Spoofed in Screenplay: The Black and Blue Lamp (1988) See more »

Soundtracks

There Isn't Enough to Go Round
(uncredited)
Written by Jack Lane
Performed by Tessie O'Shea
See more »

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User Reviews

 
The Bobbys of Paddington Station
13 November 2012 | by (Buffalo, New York) – See all my reviews

For those of us on this side of the pond The Blue Lamp is like the striped pole for barbershops only in the United Kingdom it hangs above the entrance to police stations. The Blue Lamp is a story of a pair of helmeted beat cops working out of Paddington Station in London, one a fairly new recruit, the other an old timer thinking of retirement.

The roles are played by Jimmy Hanley and Jack Warner respectively. Hanley was a favored callow juvenile player, doing those roles way past the age he should have is an earnest young officer trying to do his best to make good on the job. Jack Warner who was a music hall performer as well plays the older officer, a kindly veteran who is married to Gladys Henson who both take a parental interest in young Hanley. Their own son had died, most likely in the recent World War. In fact in the shooting on location in London you can see many unpleasant reminders of the war in bombed out buildings, still not repaired or replaced by 1951.

While Hanley is being mentored by Warner, there are a couple of punks played by Dirk Bogarde and Patric Doonan who are busy themselves. They're not taken terribly seriously by really professional criminals. As the film is narrated in talking about wannabes like Bogarde and Doonan it reminded of what John Wayne said in The Shootist that the ones you have to watch out for are the hotheaded amateurs. That's these two in a nutshell.

The Blue Lamp was Bogarde's breakout role and he's charismatic to the nines. He's every young girl's idea of a bad boy they'd like to have a romp with before settling into respectable married life. Such a girl is Peggy Evans who is fascinated by Bogarde and his disrespect for conventional behavior. Look at the home she comes from and you can see why she wants to escape.

The Blue Lamp won the BAFTA award which is the UK equivalent of the Oscar for Best Picture for 1951. It made Dirk Bogarde an enduring star in British cinema and it's a nice tribute to the London Metropolitan Police Force.


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