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The Blue Lamp (1950)

Approved | | Crime, Drama, Film-Noir | 1 June 1950 (USA)
The daily routine of two London policemen is interrupted by a killer.

Director:

Writers:

(screenplay), (original treatment) | 2 more credits »
Reviews
Won 1 BAFTA Film Award. Another 1 nomination. See more awards »
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Cast

Complete credited cast:
Jack Warner ...
...
...
Robert Flemyng ...
Police Sgt. Roberts
...
Peggy Evans ...
Diana Lewis
Patric Doonan ...
Spud
...
PC Campbell
...
...
Police Sgt. Brooks
Frederick Piper ...
Alf Lewis
...
Maisie
Gladys Henson ...
Mrs Dixon
Tessie O'Shea ...
Herself
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Storyline

We follow the daily activities of two London bobbies, veteran George Dixon and rookie Andy Mitchell. Meanwhile, young hoods Tom and Spud plan a series of robberies with Tom's girl Diana, a discontented beauty, as inside worker. But in their second crime, one of our heroes is shot, setting off a citywide manhunt. The killer is clever, but will he outsmart himself? Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

Sheds just enough light for MURDER See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

1 June 1950 (USA)  »

Also Known As:

A Lâmpada Azul  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Gaumont Kalee) (RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The original Blue Lamp was transferred to the new Paddington Green Police Station and stands there today. It has recently been restored. See more »

Goofs

George Dixon may have put the cape into the local police call box before starting his beat. See more »

Quotes

Diana Lewis: What d'ye think I am? Soft or something?
Spud: Yeah.
See more »

Connections

Featured in The Ultimate Film (2004) See more »

Soundtracks

Bless 'em All
(uncredited)
Written by Fred Godfrey (1917)
Revised lyrics by Jimmy Hughes and Frank Lake (1940)
Sung by Cameron Hall at the police station
See more »

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User Reviews

British neorealism?
30 January 2000 | by (New Delhi, India) – See all my reviews

One of the few British efforts to make the kind of 'gritty city' movies that the Americans did so well (Ritt, Cassavates, Kazan). Tibby Clarke wrote this before his (imho) finest work - 'The Lavender Hill Mob' & the climactic chase sequence of TLHM has its more sober counterpart here. This particular chase sequence would definitely rate as one of the best for the '50s. The social commentary in the beginning about old crime vs new crime (old money/ new money) jars the more politically correct '00 ears, but it definitely adds to the charm.

The most interesting performance is definitely the hugely talented Dirk Bogarde's. As the psychotic thief/ killer he sends a shiver down your spine even today. The pathetic slouch with the cold, cruel eyes stands as far apart as possible from the staid & begonia-sprouting policemen of the New Scotland Yard. And the sound of passing trains that overlaps his fits of rage? Brings back (unwelcome) memories of Jean Gabin in 'La Bete Humaine' - hv I spelt that right?


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