Bold and attractive, Mike Alexander is an American who smuggles drugs across the Spanish Mediterranean. Ingrid Dekker is in love with him while the double-crossing Emily Birk tries to ...
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In the suburbs of Paris, an old maid has just been murdered. Every body talks about that, except the misanthrope Mr Hire. The same evening, Alice, just getting out of jail, arrives and ... See full summary »
The autobiography of elegant criminal, François Eugène Vidocq, from his birth in a French jail in 1775 to his appointment as chief of police of Paris where he intends to rob the city bank. ... See full summary »
Two bank robbers, Cliff Banks and Sam Baker go their separate ways while being chased by the law. Now fleeing alone, Cliff begins to reflect, via flash back, the various events and unsavory... See full summary »
Handsome and rich Spanish gentleman abandons his wife and riches for his love of a young girl of poor stock who taunts and degrades him. Only after she has humbled him mercilessly does she offer him her love in the end.
The story of how the people of Paris cope with the strains and struggles of war, from the siege of the city by the Prussians during the Franco-Prussian War of 1871 to the invasion by the Germans in World War II.
Jojo has been living for a while in a room under the roof of a block of flats in Pigalle. He has chosen to leave home since he realized his stepmother has hated him from day one. Among his ... See full summary »
Bold and attractive, Mike Alexander is an American who smuggles drugs across the Spanish Mediterranean. Ingrid Dekker is in love with him while the double-crossing Emily Birk tries to exploit him, which is also the case of Nikarescu, a shady trafficker. Meanwhile, lurking behind the scenes, is inspector Carnero, waiting patiently until he gets Mike... Written by
Despite the fact that George Sanders made no attempt whatsoever to moderate his ultra-English accent, the character he plays is referred to several times as an American, although this has no relevance to the plot. See more »
Released at a time when Duvivier was going again from strength to strength ."Black Jack" which was sandwiched between the overlooked extraordinary "Au Royaume des Cieux" and the dazzling stunning "Sous Le Ciel de Paris" , is a jumble,which Duvivier himself hated,which is not surprising.There's almost nothing to write about this dud.We can notice that:
1.Orson Welles used to admire Duvivier .That may explain why Wellesian actors were featured in Duvivier's movies :Joseph Cotten in "Lydia" (1941) ,and here a totally wasted Agnes Moorehead .It's the first time
I have not enjoyed Moorehead's performance!On the other hand,Welles borrowed his Desdemona (Suzanne Cloutier) from Duvivier's "Au Royaume des Cieux" for his "Othello".
2.In any Duvivier's movie,there's one or two worthwhile sequences and this one is no exception: the search in the caves where Duvivier's sense of mystery works wonders (for a short while);then the chase when Dalio gets caught up in the fishnets.Duvivier's touch can be felt in the unhappy end too.
As for the rest ,as my dear pen pal writer's reign writes,it's a black joke.
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