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Captain Blackjack (1950)
"Black Jack" (original title)

6.0
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Ratings: 6.0/10 from 59 users  
Reviews: 7 user

Bold and attractive, Mike Alexander is an American who smuggles drugs across the Spanish Mediterranean. Ingrid Dekker is in love with him while the double-crossing Emily Birk tries to ... See full summary »

Writers:

(screenplay), (story), 5 more credits »
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Cast

Credited cast:
...
Herbert Marshall ...
Dr. James Curtis
Patricia Roc ...
Ingrid Dekker
...
Mrs.Emily Birk
...
Captain Nikarescu (as Dalio)
Dennis Wyndham ...
Fernando Barrio
Howard Vernon ...
Schooner Captain
José Nieto ...
Inspector Carnero
José Jaspe ...
José
Rest of cast listed alphabetically:
Margarita Alexandre ...
Flower seller
Rafael Bardem ...
Diego
María Teresa Campos
Manolo Caracol
Lola Flores ...
Singer
José María Lado
Edit

Storyline

Bold and attractive, Mike Alexander is an American who smuggles drugs across the Spanish Mediterranean. Ingrid Dekker is in love with him while the double-crossing Emily Birk tries to exploit him, which is also the case of Nikarescu, a shady trafficker. Meanwhile, lurking behind the scenes, is inspector Carnero, waiting patiently until he gets Mike... Written by Guy Bellinger

Plot Summary | Add Synopsis

Plot Keywords:

smuggler | See All (1) »

Taglines:

He Hits With The Power Of His Name!

Genres:

Adventure

Certificate:

See all certifications »
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Details

Country:

| |

Language:

Release Date:

20 December 1950 (France)  »

Also Known As:

Captain Blackjack  »

Filming Locations:


Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »

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User Reviews

 
Brave attempt at a post-war Eurofilm
20 April 2000 | by (St. Paul) – See all my reviews

A Spanish-French-UK production with a cast about ready to fade into either oblivion or television. Dalio turns in the best performance as the weasel captain of a tramp steamer, but an echo of his earlier work under greats like Jean Renoir. Moorehead is also deliciously double-crossing. Saunders is caught out of his element trying to create a character similar to Harry Lime in The 3rd Man--the shady, disillusioned post-war 'businessman'. Bogart might have made this role succeed; however, none could equal the archtypal performance by Welles as Harry Lime. As it is, Saunders is not credible as a conflicted entrepreneur and completely unbelievable as a wheezing love interest for Patricia Roc, herself well past the ingenue stage. Herbert Marshall turns in the same performance he will soon do weekly in Times Square Playhouse for American television yawn. Great moments of outdoor cinematography in the all-natural sound stage of the Spanish Mediterranean by the director who gave us Pepe LeMoko.


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