Bold and attractive, Mike Alexander is an American who smuggles drugs across the Spanish Mediterranean. Ingrid Dekker is in love with him while the double-crossing Emily Birk tries to ...
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The autobiography of elegant criminal, François Eugène Vidocq, from his birth in a French jail in 1775 to his appointment as chief of police of Paris where he intends to rob the city bank. ... See full summary »
André Chatelin is a restaurant owner in Les Halles in Paris. One morning, a girl named Catherine asks to see him. She happens to be the daughter of his estranged wife, Gabrielle, that André... See full summary »
In the absence of his wife, a clarinet player is induced by a friend to meet a call girl, but arrived after a crime. Perceived by some people leaving the scene of the crime covered by his ... See full summary »
Fifteen years after WWII, a group of ex-resistance fighters are brought together by Marie-Octobre, so that the former members of the network can finally relive one fateful night and find out who betrayed their murdered leader, Castille.
Those five are unemployed penniless workers. Together they win 100,000 Francs with the national lottery. Instead of sharing the money, they buy a ruin and build an open-air cafe. But ... See full summary »
Bold and attractive, Mike Alexander is an American who smuggles drugs across the Spanish Mediterranean. Ingrid Dekker is in love with him while the double-crossing Emily Birk tries to exploit him, which is also the case of Nikarescu, a shady trafficker. Meanwhile, lurking behind the scenes, is inspector Carnero, waiting patiently until he gets Mike... Written by
George Sanders claimed that he was "filled with foreboding from the start", making this film, adding that it was "deficient in what I might call the serious approach to film-making". He said the film company had rented a 60-foot cabin cruiser which the actors and crew boarded each morning at the yacht club in Palma, on Mallorca; it then put to sea and cruised around until a suitable location was found. This wasted a great deal of time, making the film exceed its eight-week schedule; it was still unfinished after five months. At this point, Sanders announced he was leaving the film, noting that he had not been fully paid for the work thus far completed. He departed for Barcelona, but, once there, was persuaded to return by a distraught assistant director who had formerly served (Sanders claimed) in the Hungarian diplomatic corps. This departure had the effect of hurrying everything up, although it was still two more months before the film was finished; after that, it proved to be a huge financial flop and was very little-shown in Europe or America. See more »
A tragedy in the after war years, played out on the Mediterranean
I saw this film when it was released to the minor cinemas in the UK some 50 years ago; and the memory remains of a great musical score, and the tragedy of the storyline. I saw it again on video recently. The sound track was poor and the picture grainy; but it is one of two films that I saw again the next day, the other being Gladiator. The music theme is intensely tragic, and from the outset one knows that it heralds failure or death. Certainly one of George Sanders best performances; as a man working the black market to get pay back for what he lost in the war, but nemesis waits; Patricia Roc plays a refugee from Eastern Europe eaten with despair. He is attracted to her, selflessly wants to help her, and then falls in love with her, but she is too proud and hurt to accept help. Their love destroys him, and inevetably the girl and the doctor (Herbert Marshall), who brought the nemesis. The storyline is of complex intertwining destinies, where subsidiary characters are not who they appear to be. This is as a film, which diappointed the critics and struggled at the box office; but for the adolescent who saw it, and the retired gentleman who saw it again it is one of the greatest films (taking into account its age)whose story is more akin to an opera.
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