Eager to land a journalistic position, Adam White goes to work as an advice-giving newspaper columnist. His editor, Shrike, takes pleasure in browbeating his alcoholic wife Florence for her... See full summary »
Montgomery Cliff (in his last role) plays James Bower, an American physicist visiting West Germany who's recruited by a shady CIA agent, named Adam, to help them with the defection of a ... See full summary »
A group of conscripts are called up into the infantry during WWII. At first they appear a hopeless bunch but their sergeant and Lieutenant have faith in them and mould them into a good team... See full summary »
The destiny of three soldiers during World War II. The German officer Christian Diestl approves less and less of the war. Jewish-American Noah Ackerman deals with antisemitism at home and ... See full summary »
In 1948, the Soviet Union blockades the Allied sectors of Berlin to bring the entire city under their control. A semi-documentary about the resulting Berlin Airlift gives way to stories of two fictitious U.S. Air Force participants: Sgt. Hank Kowalski, whose hatred of Germans proves resistant to change, and Sgt. Danny McCullough, whose pursuit of an attractive German war widow gives him a crash course in the seamy side of occupied Berlin. Written by
Rod Crawford <firstname.lastname@example.org>
During the filming, the production got waivers signed by those who were in a shot and thought would be in the finished film, and paid them $500. Some men appeared but were never paid, and some who were paid had their appearances end up on the cutting-room floor. See more »
At the end of the movie, the "Hollywood" stars (Clift, Douglas etc.), are not credited, however a panoramic coda does credit the principal military service members who portrayed themselves in the film. It shows them standing at attention in front of a C-54, with their names and ranks scrolling across. See more »
Spooky airlift film in which the bad seem good and visa versa. This movie was made in 1950. As such, Berlin is accurately portrayed as a destroyed city. Portrayed is perhaps the wrong word. The reason is because the city was still a giant rubble pile. Great dialogue and excellent story make this the premiere film concerning the American and British airlift to save Berlin from the Soviets. The malevolent opportunism demonstrated by the German locals, lend a tragic, yet realistic touch to this movie. Lovelorn American servicemen eat up female German desperation, and thus the stage is set for tragedy.
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