Experiences of two Air Force sergeants during the 1948 Berlin Airlift.

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Cast

Cast overview, first billed only:
...
...
Hank Kowalski
...
Frederica Burkhardt
...
Gerda
...
Stieber
Dante V. Morel ...
Dante V. Morel (as Capt. Dante V. Morel)
John R. Mason ...
John R. Mason (as Capt. John R. Mason)
Gail R. Plush ...
Gail R. Plush (as Capt. Gail R. Plush)
Mack Blevins ...
Mack Blevins (as Capt. Mack Blevins)
William A. Stewart ...
William A. Stewart (as Capt. William A. Stewart)
Alfred L. Freiburger ...
Alfred L. Freiburger (as 1st Lt. Alfred L. Freiburger)
Gerald Arons ...
Gerald Arons (as 1st Lt. Gerald Arons)
James Wilson ...
James Wilson (as 1st Lt. James Wilson)
Richard A. Kellogg ...
Richard A. Kellogg (as 1st Lt. Richard A. Kellogg)
Roy R. Steele ...
Roy R. Steele (as 1st Lt. Roy R. Steele)
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Storyline

In 1948, the Soviet Union blockades the Allied sectors of Berlin to bring the entire city under their control. A semi-documentary about the resulting Berlin Airlift gives way to stories of two fictitious U.S. Air Force participants: Sgt. Hank Kowalski, whose hatred of Germans proves resistant to change, and Sgt. Danny McCullough, whose pursuit of an attractive German war widow gives him a crash course in the seamy side of occupied Berlin. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

From the Ruins came Hope and Despair

Genres:

Drama | War

Certificate:

See all certifications »
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Details

Country:

Language:

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Release Date:

26 April 1950 (USA)  »

Also Known As:

Es begann mit einem Kuß  »

Filming Locations:

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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)|

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

With the exception of Montgomery Clift and Paul Douglas, all military personnel in the film were actual members of the US military on duty in Germany at the time. See more »

Quotes

Alfred L. Freiburger: [speaking into radio mike] 37, roger.
[to cockpit crew]
Alfred L. Freiburger: We'll use the new runway.
William A. Stewart: I hear it's a bowling alley with lights.
Alfred L. Freiburger: [reading check list] Heater switches, off.
William A. Stewart: Off.
Alfred L. Freiburger: Booster switches, high.
Sgt. 1st Class Danny MacCullough: High.
Alfred L. Freiburger: Fingers crossed.
Sgt. 1st Class Danny MacCullough: [with the others, in unison and crossing fingers] Crossed!
See more »

Crazy Credits

At the end of the movie, the "Hollywood" stars (Clift, Douglas etc.), are not credited, however a panoramic coda does credit the principal military service members who portrayed themselves in the film. It shows them standing at attention in front of a C-54, with their names and ranks scrolling across. See more »

Connections

Referenced in Woman on the Run (1950) See more »

Soundtracks

Anchors Aweigh
(uncredited)
Music by Charles A. Zimmerman
Lyrics by Alfred Hart Miles
Sung at the air field by the Air Corps members towards the Navy members
See more »

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User Reviews

Truly a Time Capsule of the Berlin Airlift
30 April 2000 | by (Great Neck, NY, USA) – See all my reviews

This is film is one of the best true-life adaptations of an historical event

  • The Berlin Airlift. It was made on location in Berlin with the full


cooperation of the US Military who actually played minor acting roles with the exception of the principal actors. The movie does an excellent job in portraying the bleak situation that the Berliners had to endure as a result of the Soviet blockade along with all the wrecked structures all of the city and the hording of black market staples such as coffee and coal. The most interesting portrayal in this film is the Paul Douglas character of that of an American seargant who has no love for the Germans and goes out of his way to be rude and act like a true "occupation" taking revenge out on a former Nazi prison guard that tormented him while he was a prisoner.

Its probably the most realistic portrayal of an American soldier after the war when technically the US Army was an occupation force along with the British and French. In addition, the portrayal of the German widow who really hated the Americans was probably realistic as well. These characters seemed more than stereotypes which was common in films portraying the political situation at the time. It does a good job in showing how ordinary soldiers and people can have divided loyalties and wrestle with the adverse situation that befell them in Berlin at the time. Truly a time capsule of Postwar Berlin.


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