6.5/10
334
17 user 8 critic

Between Midnight and Dawn (1950)

Not Rated | | Crime, Drama, Film-Noir | 1 October 1950 (USA)
Prowl car cops on night duty romance a reluctant young lady while in danger from a vengeful racketeer.

Director:

Writers:

(screenplay), (story) | 1 more credit »
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Cast

Cast overview, first billed only:
...
...
...
Donald Buka ...
Ritchie Garris
...
Terry Romaine
Anthony Ross ...
Police Lt. Masterson
...
Leo Cusick
...
Romano
Grazia Narciso ...
Mrs. Romano
...
Mrs. Mallory
Lora Lee Michel ...
Kathy Blake
Jack Del Rio ...
Louis Franissi
...
Joe Quist
Cliff Bailey ...
Police Sgt. Bailey
Tony Barr ...
Harry Yost
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Storyline

Rocky and Dan, war buddies, are prowl car cops on night duty. Dan is a cynic who views all lawbreakers as scum; Rocky feels more lenient. Both are attracted to the radio voice of communicator Kate Mallory; but in person, Kate proves reluctant to get involved with men who just might stop a bullet. By lucky chance, Rocky and Dan cause big trouble for murderous racketeer Ritchie Garris; but when he swears vengeance, Kate's fears may prove justified. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

A ROBBERY IN THE NIGHT! A KILLER ON THE LOOSE! A DOLL ON THE SPOT! (original print ad - all caps) See more »


Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

|

Release Date:

1 October 1950 (USA)  »

Also Known As:

Prowl Car  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

While the city is never identified, the police badges and numbered streets are similar to those used or located in New York City. However, the dispatcher says "KMA 367" over the radio. This FCC call sign was and is registered to the Los Angeles Police Department, and is valid through the year 2025. See more »

Goofs

At the end of the car chase, there is a shot of the car running off the road and hitting a tree. The shot from behind the tree shows the police in a different car from the police sedan in the other shots that has a large siren on the passenger side fender. The police car in the crash shot appears to be a Ford station wagon with wood trim on the side. It does not have the siren on the fender. See more »

Quotes

Rocky Barnes: Miss Mallory... Do you mind if I call you Kate?
Katharine Mallory: You might as well. I've a feeling you'll get around to it in a minute anyway.
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Soundtracks

PLEASE DON'T KISS ME
Written by Allan Roberts and Doris Fisher
Performed by Gale Robbins (shown in part only)
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User Reviews

 
Enjoyable, jocular, witty, exciting, fast-paced, righteous.
9 December 2011 | by (Brooklyn NY) – See all my reviews

I found this movie to be very enjoyable to watch. There was no masterful overriding story, but it moved along at a good pace, was quite genial and had no faults. It might be called an early "procedural" in today's lingo: lots of radio squad car scenes, beaming messages in cop talk back and forth, well photographed auto chase scenes and shootouts. The directing, script, acting and cinema-photography were superior. In the movie the cops were all righteous and the criminals all incorrigibly bad.

Three things stood out for me, favorably: (1) I was always a big Gale Storm fan, stemming from my childhood watching of "My Little Margie" re-runs on TV (Gale was the co-star of the TV show, and part of the romantic triangle in this movie). (2) The repartee was often witty and jocular and never off-putting. For example, on an early date, Officer Rocky Barnes (played by Mark Stevens) is having his first dance with Gale Storm, and, holding her tightly he says, "I've been waiting a long time for this." She replies, "I can believe it. I feel a rib cracking." He responds, "Oh, control yourself, Barnes. This lady's got to last." (3) The relationship between the two police partners (Stevens and Edmond O'Brien) was friendly and jocular. It was nice to observe their respect for each other. Both were quite competent. O'Brien was the more serious, cynical and hard on criminals. Stevens was more relaxed and sensitive to criminals' feelings.


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