A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
When the intelligent criminal Erwin "Doc" Riedenschneider is released from prison, he seeks a fifty thousand-dollar investment from the bookmaker Cobby to recruit a small gang of specialists for a million-dollar heist of jewels from a jewelry. Doc is introduced to the lawyer Alonzo D. Emmerich that offers to finance the whole operation and buy the gems immediately after the burglary. Doc hires the safecracker Louis Ciavelli, the driver Gus Minissi and the gunman Dix Handley to the heist. His plan works perfectly but bad luck and betrayals compromise the steps after the heist and the gangsters need to flee from the police. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The film was colorized by Turner Entertainment Co. in the late 1980s. In July 1989 John Huston's heirs made an unsuccessful attempt to prevent a colorized version of the film from being broadcast on French television, but they lost their case in French court. The case pitted the country's longstanding legal protection of authors' rights against the legal standing of contracts signed in the US between directors and studios. The colorized version was broadcast in 1989, but in 1994 the appeals court in Versailles reversed the 1989 ruling and fined Turner 400,000 francs (then about $74,000) for having broadcast the colorized version. See more »
When Mr. Ciavelli was inside of a long narrow tunnel. He chisels through the thin brick wall of the tunnel and goes inside of a room, and along that same wall is a door leading upstairs. On the other side of the wall, there was no evidence of a door. See more »
In one of John Huston's best told stories as a director, Dix Handley (Sterling Hayden) gets involved with a group of jewel thieves in on a deal to score half a million dollars in the Midwest. But things get complicated, as they usually do, but in some unexpected ways. This is a crime story that has 'film-noir' written all over it, with stark, striking cinematography (some great close-ups of Hayden in a few key moments), slick, bare-bones direction from Huston, and the best cast of character actors one could hope to see- Hayden is terrific as Handley, a kind of archetype for the tough guy in many hard-boiled crime stories; Jaffee and Calhern are perfect as the Doc Riedenschneider, quirky but smart mastermind behind the caper, and the scheming rich man Emmerich fronting the money for the caper. Marilyn Monroe, in her first scenes in any movie, is a highlight as well as the sort of ditsy dame of the story. The climax is a knockout, and the robbery scenes themselves are quite tense, but the details leading up to the robbery and the aftermath are the best parts.
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