Aspiring actress Eve Harrington maneuvers her way into the lives of Broadway star Margo Channing, playwright Lloyd Richards and director Bill Sampson. This classic story of ambition and betrayal has become part of American folklore. Bette Davis claims to have based her character on the persona of film actress Talullah Bankhead. Davis' line "Fasten your seatbelts, it's going to be a bumpy night" is legendary, but, in fact, all of the film's dialog sparkles with equal brilliance. Written by
Jeanne Baker <firstname.lastname@example.org>
Marilyn Monroe, who was just starting out in pictures when she made All About Eve was very insecure working among such great established talent and struggled to hold her own. Bette Davis and some of the other actors could get impatient with her inexperience, but Monroe worked hard and tried to put forth her best efforts. See more »
Just before he enters Eve's suite, DeWitt swaps his cane from his left hand to the right. In following shot, shown from inside, he repeats the change. See more »
She thinks only of me, doesn't she?
Well, let's say she thinks only about you, anyway.
How do you mean that?
I'll tell you how: like... like she's studying you, like you was a play or a book or a set of blueprints - how you walk, talk, eat, think, sleep...
I'm sure that's very flattering, Birdie. I'm sure there's nothing wrong with it.
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Eddie Fisher is credited in the cast as 'Stage Manager,' although all of his scenes were cut from the released print. This is not the the singer Eddie Fisher, but another actor. See more »
In show business, there is probably an Eve Harrington born every day. Someone who butters up to a performer of note, acting innocently, revealing none of the coldhearted ambition they really have. Anne Baxter plays this type of person to a tee. She looks like a baby-faced fan, but little do we know, there is a fame machine at work in her mind. Bette Davis, as Margo Channing, star of the stage, is a veteran who has seen it all. She is quite the egotist. Margo is a brilliant actress and she knows it. Eve discovers her blind spot and moves in on her like a quiet storm. This is the premise of ALL ABOUT EVE, Joseph L. Mankiewicz's masterpiece of sly wit and subtle manipulation. Mankiewicz also wrote the picture (winner of the Best Picture Oscar of 1950) with such skill, the talented cast need only to memorize the lines and deliver them with the proper technique.
The performances are great, regardless, especially by Bette Davis and the always detested George Sanders, one of my favorite actors of the Golden Age of Hollywood. The film is narrated initially by Sanders, who plays a ruthless swine of a theatre critic, then by Celeste Holm, the wife of Eve and Margo's playwrighter, then Bette Davis in the performance of a lifetime. The movie is about 90% dialogue, much like a play. The words are so crisp and sharp, you never sway or lose interest. These characters are just too interesting. Bette Davis has a cavalcade of unforgettable dialogue. "Fasten your seatbelts. Its going to be a bumpy night!" This is the one everyone remembers, but I would be remiss to get into any others.
The picture runs well over 2 hours, but it doesn't seem like enough. Mankiewicz could've held a seminar of screenwriting by showing this. George Sanders is the only actor of the roster to bring home an Academy Award, and rumor has it Davis and Baxter, who was just 27 at the time, were feuding during much of the shoot and lusted the Oscar. Time has been very good to the film as well. 1950 was a wonderful year for movies and ALL ABOUT EVE's artistic equal that year was the equally well-written SUNSET BOULEVARD, which took us behind the scenes of a tainted Hollywood. EVE takes on theatre and treats Hollywood like an afterthought. There are many references to the film industry, usually involving the scenes with Margo Channing's boyfriend, who is attempting to make a career on the silver screen.
The movie is highly unpredictable, especially the last scenes which tie the ideas of the story up. There is an Eve everywhere and each character gets what he or she deserves. Fasten the belts and listen up. This is screenwriting at its finest.
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