Eve is waiting backstage to meet her "idol" aging Broadway Star, Margo Channing. It all seems innocent enough as Eve explains that she has seen Margo in EVERY performance of the current play she is in. Only Playright critic DeWitt sees through Eve's evil plan, which is to take her parts and fiance. When the fiance shows no interest, she tries for Celeste Holmes husband and playwright. But, DeWitt (George Brandt) stops her. After she accepts her award, she decides to skip the after-party and goes to her room, where we find a young woman named Phoebe, who snuck into her room and fell asleep. This is where the "Circle of Life" now comes to fruition as Eve is going to get played the way she did Margo.
After Bill proposes a toast to Margo, she changes the cigarette from her left hand to her right. But next shot it is still in her left hand. See more »
This is my cue to take you in my arms and reassure you. But I'm not going to - I'm too mad.
Mad! Darling, there are certain characteristics for which you are famous, on stage and off. I love you for some of them, in spite of others. I haven't let those become too important. They're part of your equipment for getting along in what is laughingly called our environment. You have to keep your teeth sharp - all right - but I will not have you sharpen them on me, or on Eve!
What about her ...
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Eddie Fisher is credited in the cast as 'Stage Manager,' although all of his scenes were cut from the released print. This is not the the singer Eddie Fisher, but another actor. See more »
What a genius Joseph L Manckiewicz was. A literary script that is totally accessible. A melodrama for the thinking man. A film that is as engrossing and entertaining every time you see it. Bette Davis touches all the raw nerves of her mythological career. Anne Baxter never went this far. Thelma Ritter became a sort of icon. Marilyn Monroe gives us a preview of forthcoming attractions as a graduated from the "Copacabana" academy of dramatic arts. Celeste Holm represents us, all of us and George Sanders creates a prototype for a cultured monster that is immediately recognizable. I don't recall another film in which the nature of selfishness is so wittily dissected. A total triumph.
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