Contestants with unusual occupations were interviewed by the panelists. Only questions that could be answered with a "yes" or "no" were allowed. At the conclusion of the questioning, the ... See full summary »
Each week, an unsuspecting celebrity would be lured by some ruse to a location near the studio. The celebrity would then be surprised with the news that they are to be the featured guest. ... See full summary »
Classic game show in which a person of some notoriety and two impostors try to match wits with a panel of four celebrities. The object of the game is to try to fool the celebrities into ... See full summary »
"I've Got a Secret" debuted on the heels of the successful "What's My Line?" Though "Secret" had somewhat similar rules, there were other elements that gave the show its own distinctive ... See full summary »
Five-day-a-week syndicated revival of one of Goodson-Todman's most durable and longest-lived formats: A celebrity panel determines which of three contestants is the actual person associated with a given story.
Contestants with unusual occupations were interviewed by the panelists. Only questions that could be answered with a "yes" or "no" were allowed. At the conclusion of the questioning, the panelists attempted to guess the contestants occupation. There was also a "mystery guest", usually a famous person; the panelists had to wear masks when questioning this person and the guest usually disguised his/her voice. Written by
J.E. McKillop <firstname.lastname@example.org>
Starting with the live broadcast on July 20, 1952, Goodson-Todman Productions paid CBS for each kinescope, so the network never again destroyed the show. But Goodson-Todman eventually destroyed some telecasts and portions of other telecasts. See more »
(End Credits Theme/Main Theme)
Composed by Louis F. Busch (aka: Joe "Fingers" Carr) (ASCAP) and Milton Delugg (ASCAP)
Original Publishers: Burning Bush Music (ASCAP) and Amy Dee Music (ASCAP)
Current Publishers: Burning Bush Music (ASCAP) and Amy Dee Music (ASCAP) See more »
The best "What My Lines" to me are the ones from the 1950's I tape 7 days a week from the Game Show Network.
There is so much history. I have seen many notable people/celebrities from the 50's--Conrad Hilton (Hilton Hotels), Rodgers & Hammerstein, Jo Stafford, Walt Disney, Jane Powell, Lucy & Desi, just to name a few.
Also, as stated here, there's a class and sophistication that is evident from the very beginning of the shows.
Arlene and Dorothy would be introduced and would gracefully appear in the most glamourous/classy dresses and evening gowns.
I loved Bennett Ceif. He was so intelligent and funny. He was publisher and was well versed on so many subjects.
I am taping every one I can because I know in another 10 to 20 years these may never be available again. I also enjoy watching them every evening--it's just as fresh as when they first aired.
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