Contestants with unusual occupations were interviewed by the panelists. Only questions that could be answered with a "yes" or "no" were allowed. At the conclusion of the questioning, the ... See full summary »
Contestants with unusual occupations were interviewed by the panelists. Only questions that could be answered with a "yes" or "no" were allowed. At the conclusion of the questioning, the panelists attempted to guess the contestants occupation. There was also a "mystery guest", usually a famous person; the panelists had to wear masks when questioning this person and the guest usually disguised his/her voice. Written by
J.E. McKillop <firstname.lastname@example.org>
When Anne Bancroft was the mystery guest on the July 1, 1962 broadcast, she answered the panel's questions not only verbally, but with sign language as well. This was her way of promoting the film The Miracle Worker (1962). See more »
(End Credits Theme/Main Theme)
Composed by Louis F. Busch (aka: Joe "Fingers" Carr) (ASCAP) and Milton Delugg (ASCAP)
Original Publishers: Burning Bush Music (ASCAP) and Amy Dee Music (ASCAP)
Current Publishers: Burning Bush Music (ASCAP) and Amy Dee Music (ASCAP) See more »
Watching reruns of the original What's My Line on the Game Show Network (which has just cancelled its "Black & White Sunday Night," much to my dismay) reminds me of what is missing in today's entertainment: Genuine wit and intelligence. The celebrity participants in this and other "early TV" panel shows simply sparkle in a natural way that is rarely if ever seen in today's world of airbrushed, stage-managed "images." There's an innocence, too, that could never be duplicated 40+ years beyond the heyday of these shows. It's really sad these programs can't find appreciation among a new audience, but perhaps the very qualities that seem so appealing are what hinder that. I hope some day this version of this show gets another chance to captivate audiences the way it captivates me.
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