Contestants with unusual occupations were interviewed by the panelists. Only questions that could be answered with a "yes" or "no" were allowed. At the conclusion of the questioning, the ... See full summary »
Contestants with unusual occupations were interviewed by the panelists. Only questions that could be answered with a "yes" or "no" were allowed. At the conclusion of the questioning, the panelists attempted to guess the contestants occupation. There was also a "mystery guest", usually a famous person; the panelists had to wear masks when questioning this person and the guest usually disguised his/her voice. Written by
J.E. McKillop <firstname.lastname@example.org>
(End Credits Theme/Main Theme)
Composed by Louis F. Busch (aka: Joe "Fingers" Carr) (ASCAP) and Milton Delugg (ASCAP)
Original Publishers: Burning Bush Music (ASCAP) and Amy Dee Music (ASCAP)
Current Publishers: Burning Bush Music (ASCAP) and Amy Dee Music (ASCAP) See more »
The best "What My Lines" to me are the ones from the 1950's I tape 7 days a week from the Game Show Network.
There is so much history. I have seen many notable people/celebrities from the 50's--Conrad Hilton (Hilton Hotels), Rodgers & Hammerstein, Jo Stafford, Walt Disney, Jane Powell, Lucy & Desi, just to name a few.
Also, as stated here, there's a class and sophistication that is evident from the very beginning of the shows.
Arlene and Dorothy would be introduced and would gracefully appear in the most glamourous/classy dresses and evening gowns.
I loved Bennett Ceif. He was so intelligent and funny. He was publisher and was well versed on so many subjects.
I am taping every one I can because I know in another 10 to 20 years these may never be available again. I also enjoy watching them every evening--it's just as fresh as when they first aired.
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