6.2/10
88
4 user 2 critic

You're My Everything (1949)

In 1924, stage-struck Boston blueblood Hannah Adams picks up musical star Tim O'Connor and takes him home for dinner. One thing leads to another, and when Tim's show rolls on to Chicago a ... See full summary »

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, (story) | 1 more credit »
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1 nomination. See more awards »
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Cast

Complete credited cast:
...
...
Hannah Adams
...
Aunt Jane
...
Mr. Henry Mercer
...
Jane O'Connor
...
Professor Adams
...
Mrs. Adams
...
Joe Blanton
...
Harold - Colege Boy in 'Heart of a Co-Ed'
...
Butler
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Storyline

In 1924, stage-struck Boston blueblood Hannah Adams picks up musical star Tim O'Connor and takes him home for dinner. One thing leads to another, and when Tim's show rolls on to Chicago a new Mrs. O'Connor comes along as incompetent chorus girl. Hollywood beckons, and we follow the star careers of the O'Connor family in silents and talkies. Includes good imitation "silents" with classic cameo by Buster Keaton. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Genres:

Comedy | Musical

Certificate:

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Details

Country:

Language:

Release Date:

August 1949 (USA)  »

Also Known As:

...därför att jag älskar dej!  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on November 27, 1950 with Anne Baxter reprising her film role. See more »

Connections

References In Old Arizona (1928) See more »

Soundtracks

You're My Everything
(uncredited)
Music by Harry Warren
Lyrics by Mort Dixon and Joe Young
Played during the opening credits and often throughout the picture
Sung on record by Dan Dailey and chorus
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User Reviews

 
Mediocre
18 June 2014 | by (Lincolnshire, UK) – See all my reviews

Anne Baxter's gorgeous, Dan Dailey's fairly irritating; they get married and the film sprints through six years or so as they get involved with musicals, song and dance routines, silent films, talkies and their daughter's first movie.

Baxter's as watchable as ever, but although this is enjoyable enough in a low level way, it races along far too quickly and suffers from a final half hour that's pretty damn dull. Another mark in the minus column comes thanks to the racial stereotyping, which hits a low point when Dailey blacks up to play a butler. Simpler times and all that, but it's pretty offensive stuff.


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