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You're My Everything (1949)

 -  Comedy | Musical  -  August 1949 (USA)
6.1
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Ratings: 6.1/10 from 79 users  
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In 1924, stage-struck Boston blueblood Hannah Adams picks up musical star Tim O'Connor and takes him home for dinner. One thing leads to another, and when Tim's show rolls on to Chicago a ... See full summary »

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Title: You're My Everything (1949)

You're My Everything (1949) on IMDb 6.1/10

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Cast

Complete credited cast:
...
...
Hannah Adams
...
Aunt Jane
Stanley Ridges ...
Mr. Henry Mercer
Shari Robinson ...
Jane O'Connor
Henry O'Neill ...
Prof. Adams
Selena Royle ...
Mrs. Adams
...
Joe Blanton
Robert Arthur ...
Harold - Colege Boy in 'Heart of a Co-Ed'
...
Butler
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Storyline

In 1924, stage-struck Boston blueblood Hannah Adams picks up musical star Tim O'Connor and takes him home for dinner. One thing leads to another, and when Tim's show rolls on to Chicago a new Mrs. O'Connor comes along as incompetent chorus girl. Hollywood beckons, and we follow the star careers of the O'Connor family in silents and talkies. Includes good imitation "silents" with classic cameo by Buster Keaton. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Genres:

Comedy | Musical

Certificate:

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Details

Country:

Language:

Release Date:

August 1949 (USA)  »

Also Known As:

...därför att jag älskar dej!  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Film debut of Sherry Jackson. See more »

Connections

References Mother Knows Best (1928) See more »

Soundtracks

Chicago (That Toddlin' Town)
(uncredited)
Written by Fred Fisher
Sung by chorus
See more »

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User Reviews

Worth it for the charm of Dan Dailey!
13 December 2001 | by See all my reviews

One of a slew of late 40s Hollywood musicals about show biz folks, this film stands out for the charm of Dan Dailey and the warmth and sparkle that he enjoys with his co-star, Anne Baxter. They play a married couple who also share a vaudeville stage and then a silent film career. When talking pictures come in, the usual troubles of transition unfold, with Baxter making it big and Dailey, eventually, deciding to stay as a song-and-dance man. Along the way a score of great songs from the teens and 20s allow Dailey not only to display his talents as a hoofer (to choreography by the great Nick Castle), but to sing (the title song is worth the price of admission). Not by any means as good as 1951's "Singing in the Rain" which also concerns the transition to talkies, "You're My Everything" is nonetheless a highly entertaining, indeed lovable, picture.


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