Julia Ross secures employment, through a rather nosy employment agency, with a wealthy widow, Mrs. Hughes, and goes to live at her house. 2 days later, she awakens - in a different house, ... See full summary »
At the age of 9, Tommy Woodry has a reputation for telling tall tales -- the latest one being that his family is moving from Manhattan to a ranch out west. When the landlord interrupts the Woodrys at dinner to show their about to be vacated apartment, the Woodrys tell Tommy enough is enough. Then that hot summer night Tommy decides to sleep on the fire escape -- outside the Kellerson's apartment, since it is a story higher and gets more breeze. Tommy sees the Kellersons kill a man. Tommy's parents and the police won't believe his story. But the Kellersons want to silence him. Written by
Dale O'Connor <email@example.com>
In the 1950 Academy Awards, Bobby Driscoll won the Oscar for the most outstanding juvenile actor of 1949, in response to his work in this film as well as Disney's tearjerker, So Dear to My Heart (1948). The award was not given every year, but only when exceptional acting was performed by a child. See more »
When Tommy pushes one end of a long roof beam off the beam segment on which he is perched (1:08:42), the free end of the long beam falls but its other end stays attached to the wall, so it briefly hangs down along the wall (1:08:44-1:08:48), but when the top end breaks free from the wall (1:08:49-1:08:50) the cables can be seen attached to that end that were used to pull it free. See more »
A good lickin' never hurt anybody, boy. My old man used to give me enough of 'em when I was a kid. Hey, still in all, I never thought of callin' the cops when he did.
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The roll of "Tommy" played by BOBBY DRISCOLL by special arrangement with WALT DISNEY See more »
A ten-year-old with an overactive imagination is subjected to a night of real big city terror in 1949.
"The Window" is a rich and underrated tale of urban terror from a ten-year-old's perspective. Tommy Woodry is jolted from his innocent world of make believe games when he witnesses a murder in the middle of the night. Making the terror all the worse is that the murderers are his upstairs neighbors, the Kellertons, and neither the police nor his parents will believe his story. The terror grows darker when Tommy's only protection, his parents, leave for the night because of shift work and family illness. The music and lighting brilliantly reflect the evil that begins with nightfall and the removal of his parents. When the Kellertons kidnap Tommy, even pretending to be his parents to fool the police, bad "parents" replace the good ones. "The Window", in a way, is the opposite of the classic "These Three" of thirteen years earlier. In the latter, the lies of a young girl (Bonita Granville) regarding adult wrongdoing are believed without reservation, with swift and devastating consequences. "The Window" also nicely showcases the hard life of the working class in 1949: the only telephone is at the drug store and the apartments are cramped and dilapidated with no modern appliances. Paul Stewart, as Joe Kellerton, plays his villainous role with a cool, almost smug arrogance, while Bobby Driscoll, as Tommy, expertly handles the role of an innocent child drawn into the gritty ugliness of urban violence. The movie maintains a fast pace, with total suspense all the way to the nail-biting end, and every second of it is worth watching.
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