| Jennifer Jones | ... | China Valdés | |
| John Garfield | ... | Anthony L. 'Tony' Fenner | |
| Pedro Armendáriz | ... | Armando Ariete (as Pedro Armendariz) | |
| Gilbert Roland | ... | Guillermo Montilla | |
| Ramon Novarro | ... | Chief | |
| Wally Cassell | ... | Miguel | |
| David Bond | ... | Ramón Sánchez | |
| José Pérez | ... | Toto (as Jose Perez) | |
| Morris Ankrum | ... | Mr. Seymour, Bank Manager | |
| rest of cast listed alphabetically: | |||
| Abdullah Abbas | ... | (uncredited) | |
| Mimi Aguglia | ... | Mama (uncredited) | |
| Salvador Baguez | ... | Cart Driver (uncredited) | |
| Argentina Brunetti | ... | Mother (uncredited) | |
| Spencer Chan | ... | Celebrant (uncredited) | |
| Freddie Chapman | ... | Altar Boy (uncredited) | |
| Gertrude Chorre | ... | (uncredited) | |
| Jack Clisby | ... | Guard (uncredited) | |
| Helen Dickson | ... | Contreras's Sister (uncredited) | |
| Fred Godoy | ... | Vicente Contreras (uncredited) | |
| Lelia Goldoni | ... | Consuelo Valdés (uncredited) | |
| Herschel Graham | ... | (uncredited) | |
| Charles Granucci | ... | (uncredited) | |
| Roberta Haynes | ... | Lolita Valdés (uncredited) | |
| Ted Hecht | ... | Enrico (uncredited) | |
| Rodolfo Hoyos Jr. | ... | (uncredited) | |
| John Huston | ... | Señor Muñoz (uncredited) | |
| Robert Malcolm | ... | Priest (uncredited) | |
| Paul Marion | ... | Truck Driver (uncredited) | |
| Santiago Martínez | ... | Waiter (uncredited) | |
| Alex McSweyn | ... | Sanitation Man (uncredited) | |
| Tina Menard | ... | (uncredited) | |
| Paulo Monte | ... | Roberto (uncredited) | |
| Alex Montoya | ... | Chauffeur (uncredited) | |
| Alberto Morin | ... | First Senator (uncredited) | |
| Alfonso Pedroza | ... | Sanitation Man (uncredited) | |
| Rodd Redwing | ... | (uncredited) | |
| Tito Renaldo | ... | Manolo Valdés (uncredited) | |
| Joel Rene | ... | Student (uncredited) | |
| Julian Rivero | ... | Flower Vendor (uncredited) | |
| Edwin Rochelle | ... | (uncredited) | |
| Joe Sawaya | ... | (uncredited) | |
| Leonard Strong | ... | Bombmaker (uncredited) | |
| Robert Tafur | ... | Rubio (uncredited) | |
| Felipe Turich | ... | Spy (uncredited) | |
| Harry J. Vejar | ... | Watchman (uncredited) | |
| Peter Virgo | ... | Contreras' Chauffeur (uncredited) | |
| Billy Wilson | ... | (uncredited) | |
| Thomas Quon Woo | ... | Celebrant (uncredited) | |
Directed by | |||
| John Huston | |||
Writing credits | ||
| Peter Viertel | (screenplay) and | |
| John Huston | (screenplay) | |
| Robert Sylvester | (novel "Rough Sketch") | |
Produced by | |||
| Jules Buck | .... | associate producer | |
| Sam Spiegel | .... | producer (as S.P. Eagle) | |
Original Music by | |||
| George Antheil | |||
Cinematography by | |||
| Russell Metty | (director of photography) | ||
Film Editing by | |||
| Al Clark | |||
Art Direction by | |||
| Cary Odell | |||
Set Decoration by | |||
| Louis Diage | |||
Makeup Department | |||
| Larry Germain | .... | hair stylist | |
| Robert J. Schiffer | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Carl Hiecke | .... | assistant director | |
Sound Department | |||
| Lambert E. Day | .... | sound engineer (as Lambert Day) | |
Special Effects by | |||
| Lawrence W. Butler | .... | special scenes | |
Camera and Electrical Department | |||
| Al Becker | .... | grip (uncredited) | |
| William Coppersmith | .... | camera operator (uncredited) | |
| Max Nippell | .... | gaffer (uncredited) | |
| Emil Oster | .... | assistant camera (uncredited) | |
| Richard Walling | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Jean Louis | .... | costumes: Miss Jones | |
Music Department | |||
| Morris Stoloff | .... | musical director (as M.W. Stoloff) | |
| Ernest Gold | .... | orchestrator (uncredited) | |
Other crew | |||
| Gladys Hill | .... | dialogue director | |
| David O. Selznick | .... | Jennifer Jones by arrangement with | |
| Rose Loewinger | .... | script supervisor (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
The part of a fiery revolutionary in 1933 Cuba seems tailor made for John Garfield. Both his politics and screen persona mesh nicely in the role of Nick Fenner for him in We Were Strangers. As for his lack of Hispanic accent, we are told that he is of mixed Cuban and American parentage. I'm glad Garfield didn't try an accent, he looked downright silly doing one as Porfirio Diaz in Juarez.
John Huston directed We Were Strangers and even second drawer Huston is better than first drawer of most directors. The film is about a really far out plot for a Coup d'etat against President Gerardo Machado of Cuba in 1933. Garfield has sold them one a plan to assassinate the president and his entire cabinet by means of a bomb at a funeral internment. As it happens Jennifer Jones's house is located across from Havana's main cemetery. The idea is to first kill a right-wing Senator and then when the funeral takes place and the deceased is interred at the family mausoleum, to blow up the place as the president and a lot of top bigwigs are sure to attend.
The scheme involves tunneling from Jen's house to the mausoleum and We Were Strangers starts to resemble The Great Escape at this point. Jen's cooperative because her brother was killed by Machado's secret police, but something terribly unforeseen spoils things and the assassins are forced to flee.
In fact the something that is unforeseen should have been foreseen and Garfield should have come up with a better idea. But the drama of this film is the tension of these conspirators working together in close quarters and we the audience getting to know them. We Were Strangers at first, but they all become comrades during the shared experience of conspiracy. Besides John Garfield and Jennifer Jones, the other in the plot are Gilbert Roland, Wally Cassell, and David Bond.
Best performance in the film by far though is that of Pedro Armendariz as the secret police lieutenant. Huston might have seen Armendariz in a similar role in John Ford's The Fugitive which was set in Mexico. It was a good stroke of typecasting then because Armendariz is a truly hateful figure.
I looked up Gerardo Machado who was the president of Cuba at the time and he was overthrown in 1933 but not by these guys. Wikipedia describes him as an equal opportunity tyrant who had all factions hating him by 1933. He started out as a fighter and youngest general in the Cuban war for independence against Spain in the 1890s. But last year's freedom fighter has a way of turning into today's tyrant.
We Were Strangers in the Huston career comes between Key Largo and The Asphalt Jungle, both better films, but this one while the assassination plot is far fetched is carried along by the skilled direction of a fine group of players.