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| Photos (see all 9 | slideshow) | Videos |
| Ingrid Bergman | ... | Lady Henrietta Flusky | |
| Joseph Cotten | ... | Sam Flusky | |
| Michael Wilding | ... | Hon. Charles Adare | |
| Margaret Leighton | ... | Milly | |
| Cecil Parker | ... | The Governor | |
| Denis O'Dea | ... | Mr. Corrigan | |
| Jack Watling | ... | Winter | |
| Harcourt Williams | ... | The Coachman | |
| John Ruddock | ... | Mr. Potter | |
| Bill Shine | ... | Mr. Banks | |
| Victor Lucas | ... | The Rev. Smiley | |
| Ronald Adam | ... | Mr. Riggs | |
| Francis De Wolff | ... | Major Wilkins (as Francis de Wolff) | |
| G.H. Mulcaster | ... | Dr. Macallister | |
| Olive Sloane | ... | Sal | |
| Maureen Delaney | ... | Flo | |
| Julia Lang | ... | Susan | |
| Betty McDermott | ... | Martha | |
| rest of cast listed alphabetically: | |||
| Ivor Barry | ... | Guard in hall (uncredited) | |
| Martin Benson | ... | Man Carrying Shrunken Head (uncredited) | |
| Alfred Hitchcock | ... | Man at Governor's Reception (uncredited) | |
| David Keir | ... | Man Checking Invitations At Ball (uncredited) | |
| Roderick Lovell | ... | Bit Part (uncredited) | |
| Lloyd Pearson | ... | Land Agent (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| John Colton | (play) and | |
| Margaret Linden | (play) | |
| Helen Simpson | (novel) | |
| Hume Cronyn | (adaptation) | |
| James Bridie | (writer) | |
Produced by | |||
| Sidney Bernstein | .... | producer (uncredited) | |
| Alfred Hitchcock | .... | producer (uncredited) | |
Original Music by | |||
| Richard Addinsell | |||
Cinematography by | |||
| Jack Cardiff | |||
Film Editing by | |||
| Bert Bates | (as A.S. Bates) | ||
Art Direction by | |||
| Thomas N. Morahan | (as Thomas Morahan) | ||
Costume Design by | |||
| Roger K. Furse | (as Roger Furse) | ||
| Julia Squire | (uncredited) | ||
Makeup Department | |||
| Charles E. Parker | .... | makeup artist (as Charles Parker) | |
Production Management | |||
| Fred Ahern | .... | production manager | |
| John Palmer | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| C.R. Foster-Kemp | .... | assistant director (as C. Foster Kemp) | |
| Cliff Owen | .... | second assistant director (uncredited) | |
| John Pellatt | .... | third assistant director (uncredited) | |
Art Department | |||
| Philip Stockford | .... | set dresser | |
| Ted Clements | .... | draughtsman (uncredited) | |
| Kenneth McCallum Tait | .... | assistant art director (uncredited) | |
Sound Department | |||
| Peter Handford | .... | sound recordist | |
| A.W. Watkins | .... | sound (uncredited) | |
Camera and Electrical Department | |||
| Paul Beeson | .... | camera operator | |
| Ian Craig | .... | camera operator | |
| Jack Haste | .... | camera operator | |
| David McNeilly | .... | camera operator | |
| Jim Dawes | .... | grip (uncredited) | |
| George Pink | .... | assistant camera (uncredited) | |
Editorial Department | |||
| Joan Bridge | .... | associate color director: Technicolor | |
| Bert Rule | .... | assembly cutter (uncredited) | |
Music Department | |||
| Louis Levy | .... | musical director | |
Other crew | |||
| Natalie Kalmus | .... | technicolor color director | |
| David O. Selznick | .... | actor arrangement: Mr. Cotten | |
| Peggy Singer | .... | script supervisor | |
| Jean Dyball | .... | assistant continuity (uncredited) | |
| Hazel Swift | .... | production secretary (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| Anyone else fell sympathy for Milly (The Maid) | Danespina |
| Excellent Acting, Bad Script | 80334080 |
| The Title | morris-payne-1 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
| Add this title to MyMovies |
While certainly uncharacteristic of Hitchcock's American films this film still has the Master's unmistakable imprint. Joseph Cotton is excellent in his role as a common man who resents the upper class of which he can never be a part. The rest of the actors do a fine job including Ingrid Bergman's turn as Cotton's drunk half mad wife. Perhaps the best and most interesting aspect of the film is the gorgeous Technicolor cinematography by Jack Cardiff. Cardiff who is probably best known for his work with Powell and Pressburger does a great job bringing the rich color of this period piece to the screen. The camera work is also characteristically Hitchcock with many long traveling shots with wonderfully complex compositions. The pace is slow and lacking suspense, but the characters and the situations are interesting and make the film work despite the pacing problems. Certainly not one of Hitchcock's strongest films, but definitely worth watching.