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Under Capricorn (1949)

 -  Crime | Drama | Romance  -  8 October 1949 (USA)
6.2
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Ratings: 6.2/10 from 3,683 users  
Reviews: 48 user | 25 critic

A young gentleman goes to Australia where he reunites with his now married childhood sweetheart, only to find out she has become an alcoholic and harbors dark secrets.

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Title: Under Capricorn (1949)

Under Capricorn (1949) on IMDb 6.2/10

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Cast

Cast overview, first billed only:
...
...
...
Margaret Leighton ...
Cecil Parker ...
The Governor
Denis O'Dea ...
Mr. Corrigan
Jack Watling ...
Winter
...
The Coachman
John Ruddock ...
Mr. Potter
Bill Shine ...
Mr. Banks
Victor Lucas ...
The Rev. Smiley
Ronald Adam ...
Mr. Riggs
Francis De Wolff ...
Major Wilkins (as Francis de Wolff)
G.H. Mulcaster ...
Dr. Macallister
Olive Sloane ...
Sal
Edit

Storyline

In 1831, Irishman Charles Adare travels to Australia to start a new life with the help of his cousin who has just been appointed governor. When he arrives he meets powerful landowner and ex-convict Sam Flusky, who wants to do a business deal with him. Whilst attending a dinner party at Flusky's house, Charles meets Flusky's wife Henrietta who he had known as a child back in Ireland. Henrietta is an alcoholic and seems to be on the verge of madness. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

Mystery, murder and passion from the master of suspense! See more »

Genres:

Crime | Drama | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

8 October 1949 (USA)  »

Also Known As:

Under Capricorn  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Many French critics consider Under Capricorn as one of Hitchcock's finest films. See more »

Goofs

At one point in the film, a character says that employees to be fired should be given their "pink slips." The film takes place in 1830s Australia. An article in the New York Times dates the earliest use of the term "pink slip" to 1910. See more »

Quotes

[last lines of the movie]
Winter: We'll be sorry to lose you, sir.
Hon. Charles Adare: If I may say so, Winter, I'm sorry to go. Not a bad place. It is said that there is some future for it, there must be- it's a big country.
Winter: Then why are you leaving, sir?
Hon. Charles Adare: That's just it, Winter. It's not quite big enough. Bye, good luck.
See more »

Connections

Featured in The Hitchcock Classics Collection (1985) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Watch it and try not to compare...
15 July 2006 | by (Here and Now) – See all my reviews

If your approach to reviewing this movie is to compare it with Hitchcock's usual style, Under Capricorn will surely not compare. If, however, you can suspend your expectations and view it with an open eye and mind, you might see that, in its own right, it is an excellent film of the type I refer to as the "Victorian soap opera." Being an aficionado of this "genre", perhaps I'm biased; but I enjoyed immensely the leisurely pace, extended dialog (which unlike other reviewers, I found to be intelligent, graceful, and poetic). I found it to be gently suspenseful, never really being sure who would get the girl in the end, or even who might survive to the end.

Joseph Cotton was appealing, even though his character throughout much of the movie seemed to be villainous, and his reasons for being that way were quite apparent by the end of the film. My suspension of disbelief centered around Bergman's casting as an Irish aristocrat: once in awhile she managed to say a word that had an Irish flavor, but mostly she just sounded Swedish. However, that did not detract at all from her usual thoughtful performance. Michael Wilding irritated me a little with his foppish ways, yet even he managed to come off as a human being with faults and virtues...just like the rest of us. Leighton was superb and she, like Cotton, seemed to be a treacherous yet sympathetic character. I think it was the portrayals of complicated people with no one being painted as totally good or bad, the nuanced characterizations that I found so artistic yet real.

If you approach this movie without preconceptions, you might be drawn into it and appreciate Hitchcock's genius in an entirely different way.


22 of 27 people found this review helpful.  Was this review helpful to you?

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