Under Capricorn (1949)

Approved  |   |  Crime, Drama, Romance  |  8 October 1949 (USA)
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Ratings: 6.2/10 from 4,427 users  
Reviews: 51 user | 25 critic

A young gentleman goes to Australia where he reunites with his now married childhood sweetheart, only to find out she has become an alcoholic and harbors dark secrets.



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Cast overview, first billed only:
Margaret Leighton ...
Cecil Parker ...
Denis O'Dea ...
Mr. Corrigan
Jack Watling ...
The Coachman
John Ruddock ...
Mr. Potter
Bill Shine ...
Mr. Banks
Victor Lucas ...
The Rev. Smiley
Ronald Adam ...
Mr. Riggs
Francis De Wolff ...
Major Wilkins (as Francis de Wolff)
G.H. Mulcaster ...
Dr. Macallister
Olive Sloane ...


In 1831, Irishman Charles Adare travels to Australia to start a new life with the help of his cousin who has just been appointed governor. When he arrives he meets powerful landowner and ex-convict Sam Flusky, who wants to do a business deal with him. Whilst attending a dinner party at Flusky's house, Charles meets Flusky's wife Henrietta who he had known as a child back in Ireland. Henrietta is an alcoholic and seems to be on the verge of madness. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis


Out Of Her Curtained Past...Came A Man Past All Forgetting! See more »


Crime | Drama | Romance


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Release Date:

8 October 1949 (USA)  »

Also Known As:

Les amants du Capricorne  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Recording)



Aspect Ratio:

1.37 : 1
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Did You Know?


Alfred Hitchcock:  about five minutes into the movie in the town square wearing a coat and a brown hat. Ten minutes later he is one of three men on the steps of government house. See more »


Shadow of boom-mic visible (top-right) during the ("What is your name?") Susan (Crumpet) kitchen sequence. See more »


[first lines]
Narrator: In seventeen-hundred and seventy, Captain Cook discovered Australia. Sixty years later, the city of Sydney, the capital of New South Wales, had grown on the edge of three million square miles of unknown land. The colony exported raw materials. It imported material even more raw - prisoners, many of them unjustly convicted, who were to be shaped into the pioneers of a great dominion. In eighteen-hundred and thirty-one King William the Fourth sent a new governor to rule the colony. ...
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Crazy Credits

Opening credits roll up over a map of Australia. See more »


Referenced in Hitchcock and Dial M (2004) See more »

Frequently Asked Questions

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User Reviews

An lesser-known and underrated Hitchcock masterpiece!
6 May 1999 | by (Topeka, KS) – See all my reviews

It's a real shame (and also rather difficult to believe) that this film is so little-known and difficult to view. Even though it was directed by the famous Alfred Hitchcock (in my opinion, the most brilliant film director who ever lived), it has too often been dismissed as one of his "lesser works." To each his own, I suppose, but _Under Capricorn_ boasts some of the most beautiful photography and eloquent, literate dialogue to be found in any Hitchcock film. Although the plot and structure of the film are familiar (the quintessential love triangle, ala _Wuthering Heights_), Hitchcock's treatment raises it above the ordinary. The costumes and sets are actually quite lavish, and pay particular attention to the unique musical score! Hitchcock's experiments with the "ten-minute take" (with which he experimented in his previous film, _Rope_) also add to the film's interest. The film is not, of course, an artistic triumph for Hitchcock alone. Ingrid Bergman and Joseph Cotten (to name only two) are stars of the caliber that one just doesn't see anymore, and they give worthy performances. Casting Ingrid Bergman as an Irish noblewoman is, of course, rather bizarre casting against type, but this great actress makes it work. Joseph Cotten possesses the rougher qualities that his part demands, but his performance also elicits sympathy from the viewer (such as the scene where he is going to present his wife with a collar of rubies but then decides to hide his gift when she and Charles Adair comment that it wouldn't go with her gown). The other actors, mostly little-known to American audiences, fill their roles well more than adequately and the very fact that they are unfamiliar makes them easier for the viewer to see as the characters they play rather than as "stars." All in all, _Under Capricorn_ is an underrated masterpiece that is surely one of the best "costume" pictures of the 1940s. It is not for anyone seeking vicarious thrills or shocks, but for discriminating viewers who demand a coherent storyline, color photography that is aesthetically pleasing, literate dialogue and interesting casting, _Under Capricorn_ will fill the bill. I recommend it enthusiastically!

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