Patsy Brand is a chorus girl at the Pleasure Garden music hall. She meets Jill Cheyne who is down on her luck and gets her a job as a dancer. Jill meets adventurer Hugh Fielding and they ... See full summary »
A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
In 1831, Irishman Charles Adare travels to Australia to start a new life with the help of his cousin who has just been appointed governor. When he arrives he meets powerful landowner and ex-convict Sam Flusky, who wants to do a business deal with him. Whilst attending a dinner party at Flusky's house, Charles meets Flusky's wife Henrietta who he had known as a child back in Ireland. Henrietta is an alcoholic and seems to be on the verge of madness. Written by
Col Needham <firstname.lastname@example.org>
Alfred Hitchcock intended this film to be a drama. But the publicity department released the posters of this film as if it belonged in the genres of "Mystery" and "Horror." One of the posters of this film read "Murder will Out" and "A Woman driven by the demons of hell!" So when the film was released, Alfred Hitchcock was severely criticized for the lack of thrilling moments in this film compared to his previous films. See more »
At one point in the film, a character says that employees to be fired should be given their "pink slips." The film takes place in 1830s Australia. An article in the New York Times dates the earliest use of the term "pink slip" to 1910. See more »
[last lines of the movie]
We'll be sorry to lose you, sir.
Hon. Charles Adare:
If I may say so, Winter, I'm sorry to go. Not a bad place. It is said that there is some future for it, there must be- it's a big country.
Then why are you leaving, sir?
Hon. Charles Adare:
That's just it, Winter. It's not quite big enough. Bye, good luck.
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Under Capricorn, is along with Notorious, I Confess and Rear Window Hitchcocks greatest film. Under Capricorn has been greatly under appreciated mainly because it was a commercial failure and because Hitchcock talked the movie down saying that he only made it for Ingrid Bergman. The truth is that he had been working on getting it made for years, would he really put his production company under pressure on it's second project with a $2.5 million budget if he didn't care for it. Maybe part of its mixed reputation is because it's not a thriller, being a character driven movie, at just under two hours long its not you're typical Hitchcock movie. But the story is revealed in a wonderful way, with such a great romantic feeling that I'm amazed that it's not more highly thought off by the general public. If there ever was a more beautifully film movie I've never seen it. Ingrid Bergman is as she always is, brilliant; her 10-minuet scene in which she tells wilding the whole story of what happened is pure magic. Another great moment is when Bergman has locked herself in her room and wilding comes through her window. Joseph Cotton is also on top form. Really all that I've got left to say is if you haven't yet seen this film and you get the chance to don't waste that chance. I wish it would come out on DVD or video I've nearly worn my copy out.
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