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Thirst (1949)
"Törst" (original title)

 -  Drama  -  11 July 1961 (USA)
6.8
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Ratings: 6.8/10 from 1,170 users  
Reviews: 13 user | 17 critic

A needy couple in a bad marriage travel back to Stockholm after a trip to Italy. Meanwhile, a widow resists seductions from two different persons - her psychiatrist and a lesbian friend.

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, (short stories "Törst")
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Cast

Complete credited cast:
Eva Henning ...
Rut
Birger Malmsten ...
Bertil
Birgit Tengroth ...
Viola
Hasse Ekman ...
Dr. Rosengren
Mimi Nelson ...
Valborg (as Mimmi Nelson)
Bengt Eklund ...
Raoul
Gaby Stenberg ...
Astrid
Naima Wifstrand ...
Miss Henriksson
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Storyline

In 1946, nervous ballet dancer Rut and her husband Bertil are returning to Sweden from his scholarship tour around Italy. In a Basle hotel room and on a train they quarrel; give food through the window to starving Germans; overhear wisdoms about marriage by Swedish clergymen returning from a conference; and finally make up. In flashbacks, Rut reminisces her romance with middle-aged officer Raoul, her subsequent abortion, and her ballet career. In a seemingly separate episode set in quiet Stockholm during Midsummer, middle-aged widow Viola is harassed first by a psychiatrist, Dr. Rosengren, and then by a lesbian old school-friend Valborg, with tragic consequences. Written by Markku Kuoppamäki

Plot Summary | Add Synopsis

Taglines:

... the off-beat story of a strange relationship...condemned by the world... See more »

Genres:

Drama

Certificate:

See all certifications »
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Details

Country:

Language:

|

Release Date:

11 July 1961 (USA)  »

Also Known As:

Thirst  »

Filming Locations:


Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(AGA Baltic)

Aspect Ratio:

1.37 : 1
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Did You Know?

Connections

Referenced in Three Scenes with Ingmar Bergman (1975) See more »

Soundtracks

Mera bruka i baljan, boys
(uncredited)
Music by Ulf Peder Olrog
See more »

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User Reviews

 
A Burgeoning Bergman
23 November 2010 | by (Salisbury, United Kingdom) – See all my reviews

Bergman's first foray into marriage - a long visited topic for him. Moving on from a previously familiar summer holiday romance scenario that ends in pregnancy termination, the story shows how the now sterile ex ballet dancer faces frustrations with her new husband. The married soldier that was the subject of her affair (I presume he was killed in action), leaves a widow who comes to haunt her, in spirit and in body.

For Bergman, we see his first slightly bleached-out ultra close up and face to face shot. The psychiatrist too makes a first appearance as emotional damage is pursued as a topic. There's also quite a bit of flash-backing and a train journey that runs through most of it which is supposed to symbolise both a passage in time but also the empty, barren vessel she now feels herself to be.

The distinctively intelligent dialogue that so appeals to me is sharp and acerbic, probably for the first time. "I only stay alive so I can keep you as miserable as you've always kept me" is typical of Ingmar's angst. Subtleties of depressive subjects such as suicide are shown by someone leaping to their death into water but all we hear is a plover or some-such seabird changing its call.

A little lumpy in its narrative but for those who love Bergman, the gems are starting to shine and we are reassured by the burgeoning qualities of who we now know to be one of the World's greatest ever directors.


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