6.8/10
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14 user 18 critic

Thirst (1949)

Törst (original title)
A needy couple in a bad marriage travel back to Stockholm after a trip to Italy. Meanwhile, a widow resists seductions from two different persons - her psychiatrist and a lesbian friend.

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, (short stories "Törst")
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Cast

Complete credited cast:
Eva Henning ...
Rut
Birger Malmsten ...
Bertil
Birgit Tengroth ...
Viola
Hasse Ekman ...
Dr. Rosengren
Mimi Nelson ...
Valborg (as Mimmi Nelson)
Bengt Eklund ...
Raoul
Gaby Stenberg ...
Astrid
Naima Wifstrand ...
Miss Henriksson
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Storyline

In 1946, nervous ballet dancer Rut and her husband Bertil are returning to Sweden from his scholarship tour around Italy. In a Basle hotel room and on a train they quarrel; give food through the window to starving Germans; overhear wisdoms about marriage by Swedish clergymen returning from a conference; and finally make up. In flashbacks, Rut reminisces her romance with middle-aged officer Raoul, her subsequent abortion, and her ballet career. In a seemingly separate episode set in quiet Stockholm during Midsummer, middle-aged widow Viola is harassed first by a psychiatrist, Dr. Rosengren, and then by a lesbian old school-friend Valborg, with tragic consequences. Written by Markku Kuoppamäki

Plot Summary | Add Synopsis

Taglines:

A great new Swedish hit by the maker of "Monika" and "Illicit Interlude" See more »

Genres:

Drama

Certificate:

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Details

Country:

Language:

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Release Date:

11 July 1961 (USA)  »

Also Known As:

Thirst  »

Filming Locations:


Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(AGA Baltic)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The first of three theatrical films directed by Ingmar Bergman that he did not write. See more »

Connections

Referenced in Three Scenes with Ingmar Bergman (1975) See more »

Soundtracks

Te dans mä Kalstatösera
(uncredited)
Music by Erik Uppström
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User Reviews

My brief review of the film
7 October 2005 | by (Perth, Australia) – See all my reviews

My least favourite of the twelve Ingmar Bergman films that I have watched so far, this is nevertheless an okay film in itself. I could not bring myself to care for any of the characters, and the plot is rather awkward, to say the least. Interestingly, this Bergman film has the unusual quality of not been written by the Swedish great himself, so Bergman cannot receive much blame for the storyline, which consists of different events with different characters in different time periods, all put together in an unclear fashion. The story is hard to decipher, but what I could work out, I did not find very exciting at that. Even so, this is satisfactory viewing, as the camera follows around the characters very well and Bergman shows some skill for setting up shots, even if not as greatly as in some of his later efforts. And, if not much else, the music choices are fitting. I am not sure whether I would recommend this to other Bergman fans, but I would definitely advise non-fans to proceed with caution.


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