A young priest, Father Chisholm is sent to China to establish a Catholic parish among the non-Christian Chinese. While his boyhood friend, also a priest, flourishes in his calling as a ... See full summary »
John M. Stahl
Grim story of one of the major battles of the Korean War. While negotiators are at work in Panmunjom trying to bring the conflict to a negotiated end, Lt. Joe Clemons is ordered to launch ... See full summary »
The story of men at war and that of the esteemed Pulitzer prize winning war correspondent Ernie Pyle. Soon after the U.S. entry into World War II, Pyle joined C Company, 18th Infantry in ... See full summary »
William A. Wellman
In this story of the early days of daylight bombing raids over Nazi Germany, General Frank Savage must take command of a "hard luck" bomber group. Much of the story deals with his struggle to whip his group into a disciplined fighting unit in spite of heavy losses, and withering attacks by German fighters over their targets. Actual combat footage is used in this tense war drama. Written by
KC Hunt <email@example.com>
In the film, a large white triangle with a black "A" inside it is painted on the vertical stabilizers (tail fins) of the 918th Bomb Group's B-17 airplanes. At the point in World War II depicted in the film, 8th Air Force B-17's did not yet bear these markings, carrying only the plane's serial number on the tail. The white triangle with a black "A" was the identifying insignia for the real-life 91st Bomb Group later in the war. The aircraft used in the movie were marked to match wartime combat camera footage, some of which featured 91st Bomb Group planes. See more »
Without any question, indisputably the greatest WWII film ever (except, perhaps for "Bridge on the River Kwai"; but that's a WWII story only in the same sense that "Moby Dick" is a book about a whale). There are no weaknesses in this movie. The screenplay is perfect, rooted as it is in the historical reality of the U.S.'s attempt to prove the superiority of Daylight Precision Bombing over the Brits favored strategy of night bombing. The terrible human pressures it placed on young American pilots AND their leaders has never been so well-portrayed on film. Dramatic tension is perfectly manipulated, and the characters are well-drawn, sympathetic and fully developed. Every member of this superb cast gives this great material the great acting it deserves. The usage of actual WWII bombing footage adds to the sense of reality. The psychological drama - what "maximum effort" does to people - is at the core of the story and supercedes the mere military aspect. And the device of the framing scenes - Harvey Stovall (Dean Jagger) recollecting the story while standing in the abandoned airstrip - is brilliant. It gives the tale an overwhelmingly bittersweet feeling of "long-ago" nostalgia. It is so powerful that Spielberg must have consciously had 12 O'clock High in mind when he used the same device in Saving Private Ryan to make that whole film a flashback, just as this one is. To hell with the flashy flamboyance of Citizen Kane; I would have to give 12 O'clock High a better shot at being "the best movie ever made". Film buffs &/or devotees of WWII history who haven't seen this one are living a deprived existence.
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