A true story about four Allied POW's who endure harsh treatment from their Japanese captors during World War II while being forced to build a railroad through the Burmese jungle. Ultimately... See full summary »
David L. Cunningham
An aircraft carrier is sent on a decoy mission around the Pacific, with orders to avoid combat, thus lulling Japanese alertness before the battle of Midway. All the men have their ... See full summary »
In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann ... See full summary »
It's May 1943 at a US Air Force base in England. The four officers and six enlisted men of the Memphis Belle - a B-17 bomber so nicknamed for the girlfriend of its stern and stoic captain, ... See full summary »
In this story of the early days of daylight bombing raids over Germany, General Frank Savage must take command of a "hard luck" bomber group. Much of the story deals with his struggle to whip his group into a diciplined fighting unit in spite of heavy losses, and withering attacks by German fighters over thier targets. Actual combat footage is used in this tense war drama. Written by
KC Hunt <firstname.lastname@example.org>
The Robin Hood Toby mug prop can be spotted in the background in a scene from the 20th Century Fox movie Valley of the Dolls. It's sitting on a wire-frame shelving unit in one of the "Dolls" apartments. See more »
During the first attack on the ball bearing plant, when the bombs are released, you see two groups of bombs on the racks, one in front of the other. The B-17 carried all its bombs in one vertical stack. The American bomber in use at the time that would have had forward and aft stacks would be the B-24. The bomb bay doors on the B-24 roll up like garage doors, but you clearly see the doors hinged back, and the bombs have a round support around the fin. The American bombs of this time had a square support to the fins. The bomb release is shown from what appears to be an Avro Lancaster, a British bomber. See more »
General Frank Savage:
[Addressing the 918th for the first time at 0800]
There will be a briefing for a practice mission at 1100 this morning. That's right, practice. I've been sent here to take over what has come to be known as a hard luck group. Well, I don't believe in hard luck. So we're going to find out what the trouble is. Maybe part of it's your flying, so we're going back to fundamentals. But I can tell you now one reason I think you've been having hard luck. I saw it in your faces last night. I can see it ...
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Those who think that "Saving Private Ryan" was a great movie ought to watch this old black and white classic. In virtually every aspect except photography "Twelve O'Clock High" is superior. The script by Sy Bartlett in particular is vastly superior.
Spielberg's film focused on some of the command problems faced by Capt. John Miller (Tom Hanks) in fulfilling his combat mission, but the treatment and development were almost high schoolish (if I may) compared to the enthralling delineation in "Twelve O'Clock High." The problems encountered by Gregory Peck as the bomber group commander were complex, subtle and psychologically demanding, while the resolution was filled with the kind of male social and political dynamics not much explored at the movies these days.
Director Henry King's clean, crisp, "invisible" direction was also superior to the uneven and far too showy pandering from Spielberg. Furthermore the acting, with Gary Merrill and Hugh Marlowe supporting Peck, was also better.
Ted Danson in his cameo and Matt Damon at times in "Saving Private Ryan" were almost laughable.
Comparing the two movies makes one wonder how much movies really have improved. Technically they have in every respect, but too often today's film-makers think they can get by with special effects and splashy sets. Pour a lot of blood, show a lot of skin, get people at each other's throat, and it will play, seems to be the attitude. What is often forgotten are the two most important aspects of film, namely, story and character development.
In this respect I don't think today's films have improved on the great classics of the past.
(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)
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