The Nine men of the title are a British WWII Army patrol stuck in a desert fort during the African campaign. The Men must defend the fort against the Italian and German troops until they ... See full summary »
A bumbling teacher (Will Hay) conveniently turns out to be the double of a German general. In the true spirit of wartime propoganda high jinks, he is flown into Germany to impersonate the ... See full summary »
An insane murderer is on the loose, and gunning for the men who put him away. Will Hay is on the list, and co-opts Claude Hulbert to try and stop him from meeting a grisly end. This black ... See full summary »
Paul Gregory is sprung from jail in London by his accomplice after getting a stretch as expected for robbing a woman who falls for his charms. Only he knows how to get to the money, but his... See full summary »
When their ship docks the crew disembark as usual to pick up their lives in postwar London. For one of them his petty smuggling turns more serious when he finds himself caught up with a robbery in the City.
A three-year-old orphan is adopted by a German couple shortly after World War II. On his tenth birthday, he is told that his mother, a Yugoslav refugee, is alive and wants him back. The ... See full summary »
Within the first minute and a half of the film the locomotive pulling the Euston to Liverpool express varies several times in cut shots from the largest 4-6-2 "Duchess" express locomotive to a variety of different, smaller 4-6-0 locomotives, variously with or without smoke deflectors, with single or double chimneys, with tapered or parallel boilers and with different numbers and tender insignias ("British Railways" or "LMS"). At one point a "Duchess" is seen again. Locomotive classes seen pulling the same train without it stopping thus include "Duchess", "Jubilee", "Patriot" and "Royal Scot". See more »
The film starts with a train crash and then spends its bulk describing 4 separate situations that leads to various characters being on board the doomed train. We then return to the crash and see its aftermath.
Sounds better than it is. The film starts impressively with the force and speed of the train filmed very dramatically. This is far and away the best part of the film and provides a very powerful opening. As we meet the characters, the film gets boring and sadly, that awful unfunny British humour rears its ugly head in a couple of scenes. Trying to endear the audience to old guys by getting them to imitate a chicken or a goldfish just isn't funny to me.
Aside from the naff comedy, the cast aren't very good. This is because either the characters are weak, such as Joan Dowling (Ella), to the point where we don't care about her fate, or else they are just difficult to like. A case in point is pretty much everyone else apart from Valerie Hobson (Stella).
Pianist Irina Baronova (Irina) and composer John Clements (Raymond) are painfully embarrassing and it's all a bit of an anti-climax when so many of this dull ensemble actually survive what looks like a crash that should have resulted in many more fatalities. Oh well, better luck next time! The film scores for the excellent beginning and a confrontational scene between husband and wife Peter Finch (Philip) and Mary Morris (Louise). If the film had concentrated on developing this story in a dramatic fashion, I would be talking about a much better film. But even this little vignette is ruined by absurdity as demonstrated by what Peter Finch decides to pack in his luggage. In his LUGGAGE! To take with him! Dumb film.
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