When their ship docks the crew disembark as usual to pick up their lives in postwar London. For one of them his petty smuggling turns more serious when he finds himself caught up with a robbery in the City.
A three-year-old orphan is adopted by a German couple shortly after World War II. On his tenth birthday, he is told that his mother, a Yugoslav refugee, is alive and wants him back. The ... See full summary »
Noel Coward's attempt to show how the ordinary people lived between the wars. Just after WWI the Gibbons family moves to a nice house in the suburbs. An ordinary sort of life is led by the ... See full summary »
Two teachers, man-hungry Doris and restrained Marian, visit the Yorkshire moors a year after friend Evelyn disappeared there. On a stormy night, they take refuge in the isolated cottage of ... See full summary »
As the train approaches the level crossing where the crash takes place it is traveling through open countryside. Yet during the rescue operation after the crash a bridge is clearly visible at a point 30 to 40 meters behind the train. See more »
Compenium films such as these were very popular in the late forties.Naturally their success rides and falls on the quality of the story.Alas in this case only one of the stories is worth telling.The Valerie Hobson/John Clements story is truly awful.Jack Warners domestic problems seem more like an episode of the Huggetts.The ex German POW story has some promise but becomes repetitive.The Peter Finch/Mary Morris story is quite good but is undermined by the somewhat ridiculous proposition that a murderer would cart the dead body of his wife around in a theatrical basket.The fact that there is a good cast,and a strong band of writers and directors make it all the more disappointing.The most interesting aspect of the film is the considerable location work,which includes a view of the late lamented Euston arch.
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