Beniamino and his family have lived in a school from the end of World War II. But five years have passed and they are compelled to move. In Rome, however, it is difficult to find an ... See full summary »
Necchi (a bar owner), Perozzi (a journalist), Melandri (an architect) and Mascetti (a broken nobleman) live in Florence. They have been friends since their youngest years and spend every ... See full summary »
During the WWII Italians and English occupy alternatively a village between the Albanian and Grecian borders. It happens so often that, not only they use the same Hotel (the Iris) as ... See full summary »
Napoli 1911. Nella pensione stella vive Ciccillo che è mantenuto in città dal ricco zio Felice Sciosciammocca, sindaco di Roccasecca. Lo zio crede che il nipote abbia studiato medicina, sia... See full summary »
Sonia, a beautiful gold digger, mistakes Antonio, a waiter in a Neapolitan hotel, for the Arab prince Bey of Agapur and makes an appointment with him for the following day in Capri. Antonio... See full summary »
Beniamino and his family have lived in a school from the end of World War II. But five years have passed and they are compelled to move. In Rome, however, it is difficult to find an apartment. First he gets a job as keeper of a graveyard but in the night they mistake Checchino for a ghost and they flee. Then they try lo live in the Coliseum. Last they find a fine and large apartment, only to find out that the same apartment has been rented to other people too. Written by
Baldinotto da Pistoia
I saw this movie last week on TV, while being in Italy for a family matter. I enjoyed every single minute of that ancient but truly good and effective "Italian style" comedy. Totò steals every scene and some times he doesn't really need to do a thing to become funny. His face, expressions and speech can do most of the half of the movie. Of course the other actors also played correctly their parts and there was no real hole because of the script or the performances. I must admit that some comic situations can be a little forced and somehow previsible, but none of them were absolutely unnecessary. Totò also made very good movies along his career, but not all were as remarkable as this.
I said I was in Italy when I saw and that's not for free: if you can, try to see (and hear) Totò's movies in the original version, that's MUCH better.
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