Beniamino and his family have lived in a school from the end of World War II. But five years have passed and they are compelled to move. In Rome, however, it is difficult to find an ... See full summary »

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(as Age), (dialogue) | 6 more credits »
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A motley quintet of inept small-time thieves bungle the burglary of a local pawnshop in this Italian farce.

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Cast

Complete credited cast:
...
Alda Mangini ...
Amalia, la moglie de Lomacchio
Lia Amanda ...
Aida, la figlia (as Lia Molfesi)
Mario Gattari ...
Figlio
Aroldo Tieri ...
Checchino, il fidanzato
Folco Lulli ...
Turco
Enzo Biliotti ...
Il sindaco
Rest of cast listed alphabetically:
Mario Castellani ...
Truffatore
Pietro De Vico ...
Cinese
Flavio Forin ...
Vedovo
Giacomo Furia ...
Pasquale Saluto
Marisa Merlini ...
Patronessa
Luigi Pavese ...
Capo ufficio
Cesare Polacco ...
Vice custode
Alfredo Ragusa ...
Bidello
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Storyline

Beniamino and his family have lived in a school from the end of World War II. But five years have passed and they are compelled to move. In Rome, however, it is difficult to find an apartment. First he gets a job as keeper of a graveyard but in the night they mistake Checchino for a ghost and they flee. Then they try lo live in the Coliseum. Last they find a fine and large apartment, only to find out that the same apartment has been rented to other people too. Written by Baldinotto da Pistoia

Plot Summary | Add Synopsis

Genres:

Comedy

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Details

Country:

Language:

Release Date:

24 November 1950 (Portugal)  »

Also Known As:

Totò Looks for an Apartment  »

Filming Locations:


Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Italian censorship visa # 6889 delivered on 5-12-1949. See more »

Connections

Edited into Lo schermo a tre punte (1995) See more »

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User Reviews

 
Totò at his best.
17 February 2006 | by (Vélez-Málaga, Spain) – See all my reviews

I saw this movie last week on TV, while being in Italy for a family matter. I enjoyed every single minute of that ancient but truly good and effective "Italian style" comedy. Totò steals every scene and some times he doesn't really need to do a thing to become funny. His face, expressions and speech can do most of the half of the movie. Of course the other actors also played correctly their parts and there was no real hole because of the script or the performances. I must admit that some comic situations can be a little forced and somehow previsible, but none of them were absolutely unnecessary. Totò also made very good movies along his career, but not all were as remarkable as this.

I said I was in Italy when I saw and that's not for free: if you can, try to see (and hear) Totò's movies in the original version, that's MUCH better.


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