Beniamino and his family have lived in a school from the end of World War II. But five years have passed and they are compelled to move. In Rome, however, it is difficult to find an ... See full summary »
Esposito is a thief who cons tourists in Rome. A lengthy persecution by police Bottoni, who manages to catch it starts. In an oversight Esposito manages to flee again. Bottoni superiors inform him that if no catches him will lose his job.
In Paris, the Chinese university student Hua is dumped by her lover. Hua wanders on the streets and the French worker Mathieu accidentally hits her face with the pipes that he is carrying ... See full summary »
Ercole Pappalardo (Totò), married, five daughters, lives with only dream to be upgraded from his current position in the post department. Everithing goes wrong, he accidentally spits on the... See full summary »
A group of outlaws posing as Southern sympathizers and led secretly by freight-line owner Jim Maroon are raiding stagecoaches, and this is a threat to the Union communications. Grif ... See full summary »
Beniamino and his family have lived in a school from the end of World War II. But five years have passed and they are compelled to move. In Rome, however, it is difficult to find an apartment. First he gets a job as keeper of a graveyard but in the night they mistake Checchino for a ghost and they flee. Then they try lo live in the Coliseum. Last they find a fine and large apartment, only to find out that the same apartment has been rented to other people too. Written by
Baldinotto da Pistoia
I saw this movie last week on TV, while being in Italy for a family matter. I enjoyed every single minute of that ancient but truly good and effective "Italian style" comedy. Totò steals every scene and some times he doesn't really need to do a thing to become funny. His face, expressions and speech can do most of the half of the movie. Of course the other actors also played correctly their parts and there was no real hole because of the script or the performances. I must admit that some comic situations can be a little forced and somehow previsible, but none of them were absolutely unnecessary. Totò also made very good movies along his career, but not all were as remarkable as this.
I said I was in Italy when I saw and that's not for free: if you can, try to see (and hear) Totò's movies in the original version, that's MUCH better.
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